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It's a mistake, and besides impossible, to search for "the first trans novel", however you define any of the terms.

So here's a deliciously incomplete list of novels in English by and about trans people, up to 2010, to highly variable definitions of "trans" and "novel".

Jack Saul, The Sins of the Cities of the Plain (1881)
https://t.co/nMby1oWmV5

Major work of gay/trans porn writing. Probably not by the actual John Saul, sex worker and occasional cross-dresser. Features the infamous Fanny and Stella, who were very trans:

Rachilde, Monsieur Vénus (1884, English tr. 2005)
https://t.co/Ni2jYupQEu

Erotic novel of an abusive BDSM relationship which propels both characters into gender ambiguity, by a writer with strong but complicated male identification and presentation.

Irene Clyde, Beatrice the Sixteenth (1909)
https://t.co/0glyOrWdqk

Speculative fiction about a postgender (but very femme) society, by a lawyer, writer, feminist, pacifist, traitor and war crime apologist who expressed a lifelong desire to be a woman.

John Radclyffe Hall, The Well of Loneliness (1928)
https://t.co/du4qeItptV

Novel of sexual inversion, a sexology category combining sexuality & gender, by an invert who preferred the name John.

Dare you to go on telly claiming this as the 1st trans novel with a major publisher.
It's #TwitterBookLaunch day. The wine has been unscrewed, the prawns de-veined for the most part, and its time to celebrate twenty brilliant books published during lockdown. There'll be 2 parts to the thread but please scroll through, share and buy books if you can. So -

In #Empireland, @sathnam shows how our imperial legacy shapes Britain today. 'Intensely readable..mindful of complexity' says @mrjamesob, 'perfectly-judged' says @jonathancoe, this important book is available from - for instance - @kewbookshop

- and here's #HowWeMet, 'a beautiful, refreshing and honest memoir about family, love, inheritance and loss' @nikeshshukla. 'Beautiful, witty, romantic' says @VivGroskop Quick, join Huma in conversation with @SaimaMir at 11, on IGTV via @eandtbooks -


Best title of the week goes to #MrsDeathMissesDeath from poet-turned-novelist @salenagodden, 'a fantastically imaginative story of life, death and everything in between' @idriselba. Beautiful special editions available from many indies, e.g @NewhamBookshop

And happy publication day to @colette_snowden and @Ofmooseandmen for 'Captain Jesus' (another pretty good title). Loss, family trauma, guilt and the natural world. Signed copies available from @ChorltonBkshop or order from the many indies below -
THREAD: One of the questions that professional writers end up thinking about a lot, but that doesn't quite get enough attention, is a simple one:

"Where does your script live?"

Wanted to get into why this question is so important -- and the two separate parts to it. 1/

[Your Mileage May Vary / Parental Advisory Warning Goes Here] /2


The idea for this thread sprang from a tweet that @nevslin put out there: /3


People like @MuseZack, @bryanedwardhill, and myself encouraged Zack to write the "A Quiet Place-Esque thriller with a Sixth Sense level twist." As Zack put it: /4


And as @bryanedwardhill pointed out:
A lot of folks who know my first book have emailed me about this insightful piece by @DavidAFrench on how the fusion of southern honor culture and evangelicalism explains our current moment. Some thoughts.


French does a great job describing honor as an ethical system in which your worth and identity depends on how others see you. If your claims about yourself are challenged, violence (or rhetorical violence) is an ethically "righteous" response in an honor culture.

French writes, "This approach represents a dramatic contrast with biblical commands to “turn the other cheek” or to “bless those who persecute.” Instead, the shame/honor imperative is to punch back, hard. Any other approach...risks the well-being of the community." Exactly.

I saw this tension between honor and Christianity all the time in 19th c. church disciplinary records where men explained to fellow church members how they had to fight somebody who insulted them (or their mother, wife, family, etc.) even though they knew it was sinful.

I began calling it the "I know it was wrong, but I still had to do it" defense. If you live in the South, you've heard a version of it.
Wanted to circle round on this from last week & reiterate the importance of getting underneath the issues. Last fall, @ErinStraza & I did a @PersuasionCAPC series to highlight those deep differences & called it #ForGodandCountry.


Series started w/ an episode w/ @KaitlynSchiess on how political formation & spiritual formation relate.

Underlying Q: What is the purpose of political engagement? To love neighbor or to win for our

We followed that up w/ a convo w/ @socofthesacred on the phenomenon of Christian Nationalism.

Underlying Q: How should the church & state relate to each other? What role should faith play in political engagement?

Then in episode 3, we settled in to talk about political tribalism and the danger of "us vs. them" mentality.

Underlying Q: How should we relate to those who hold opposing viewpoints? What happens when we tie ourselves to certain politicians &

In episode 4, we discuss the call to "just preach the gospel" & @samhaist joins us to talk discipleship irt political engagement.

Underlying Q: What does the gospel demand of Christians in a broken world? Should we detach from public arena? Can we?
Music theory thread:

Never in my life have I seen a good explanation of how music works.

The way music is currently taught is a Byzantine morass of disconnected concepts. But it doesn’t need to be that hard.

Here is the ultimate and definitive explanation of how music works.


All sound has only two dimensions: amplitude and frequency.

If a sound is oscillating with a specific discernible frequency, then it will have a discernible pitch, and we call that a note.

The higher the frequency, the higher the pitch of the note.

Individual notes alone have no emotional content, and therefore aren’t music. You aren’t moved to tears by your microwave beeping.

Similarly, you won’t feel anything if you play just a single note on the piano.

It’s only when you get two notes of different pitch played simultaneously that an emergent emotional quality starts to arise.

There will be a mathematical relationship between the frequencies of the note. We that relationship an interval.

Intervals are the emotional phonemes of music — the smallest building blocks that have emotional content.

The most pleasing intervals tend to have the simplest mathematical ratios.