SHRI NIMBARKACHARYA THREAD

There is a dispute as to the birth date of Nimbarkji. Some of his followers believe him to be born in Dwapar yug as it is believed that Nimbark himself mentioned in his bhashya the names of Narad and sanat Kumars.

THREAD ON SHAKTI PEETHAS

Previously we read that Daksh insulted the divine Garland given to him by Durvasa and as a result he behaved negatively towards Shiva and Sati.

It was due to this negativity that Sati jumped into the fire.

This angered Shiva. His anger had a terrible impact all around. Virbhadra, Bhadrakali embarked on a destruction spree. Brahma and Vishnu had to intervene and had to stop the destruction.

But then Shiva carried the burnt body of Sati on his shoulders and

started roaming over the entire universe.
It was to stop the further destruction that Vishnu aimed his arrow towards Sati's body in such a way that it fell down into pieces. Wherever the pieces fell, it became a Shakti Peeth. Below are written the place the piece fell and

the name that shakti acquired.

Varanasi - Gauri.

Naimisharanya - Lingdharini.

Prayag - Lalita.

Gandhmaadan - Kamuki.

South Mansarovar - Kumuda.

North Mansarovar - Vishwakama.

Gomant - Gomti.

Mandrachal - Kaamchaarini.

Chaitrarath - Madotkata.

Hastinapur - Jayanti.

Kanyakubj - Gauri.

Malyachal - Rambha.

Ekamra Peeth - Kirtimati.

Vishvapeeth - Vishveshwari.

pushkar - Parhuta.

Kedar - Sanmarg dayini.

Himvat prushth - Manda.

Gokarn- Bhadrakarnika.

Sthaneshwar - Bhavani.

Bilvak - Bilvpatrika.

Shrishail - Madhavi.

STORY OF PURANAS AND SUB PURANA (उप पुराण).

We have already gone through the series on importance & characteristics of all the eighteen Purans. We also know that originally there were hundred crore shlokas but were divided by Vyas in each Kalp and was compiled as eighteen Purans

for the common people to understand it properly and now their total is about four lakhs.

In Brahm Puran, Brahma preached this to Marichi. So this Puran of ten thousand shlokas is called Brahm Puran.

In Padma Puran, the base of the story is the appearance of Brahma on a lotus(Padm) from Vishnu' s navel.This has fifty five thousand shlokas.

Vishnu Puran is primarily based in Varah kalp. This book is on Vishnu and this book has twenty three thousand shlokas.

Vaayu Puran is written in Shwet Kalp and has twenty four thousand shlokas. Here Vayudev preaches about Dharma.

In Bhagwat Puran, which is written with the base of Gayatri mantra describes Dharma extensively. It has 18000 shlokas. It also mentions the story of Vritrasur.

In Narad Puran, which has twenty five thousand shlokas, is a sermon on Dharma by Narad based in Brihad Kalp.

Markandeya Puran has nine thousand shlokas and here it is through the birds that Dharma is described.

IMPORTANCE AND CHARACTERISTICS OF GARUDA PURAN.

On the request of Garud, Bhagwan Vishnu, the rider of Garud, described this Puran based in Taksharya Kalp. It has ninteen thousand shlokas.
This book begins with a question and goes on to describe the Shrishti.

Then it describes the Surya puja vidhi, Diksha, Shradha, Nav vyuh puja, Vishnu sahastra naam kirtan and dhyan, Yog, Mrityunjay puja,Mala mantra, Shivarcha, Gopal puja, Trailikya mohan Shridhar puja, Vishnuarcha, Devpuja, Sandhya, Pancham tattva, Durga and Chakra Archana,

Maheshwar puja, Pavitra ropan puja, Murti dhyan, Vaastu maan, Prasaad, Sarvdev pratishtha, Ashtaang Yog, Daan dharm, Prayaschit, Narak description, Chakravyuh, Jyotish, Samudra shastra, Swar gyan, Tirth, Importance of Gaya, Different Manvantars, Pittra's, Varna dharma,

Dravya shudhhi, Samarpan, Vinayak puja, Grah yagya, Ashram, Shouch, Pret shudhi, Niti Shashtra, Vrat katha, Som and Surya vansh, Hari vansh, Bharat akhyan, Ayurveda, Medicine in Ayurveda, Rog nashak kavach, Garud Kavach, Traipur mantra, Prashna, difficulties in vyakaran,

Chhand shastra, Discipline, Snan Vidhi Tarpan, Bali Vaishvadev, Pavarna Karma, Sapindan, Dharmasar, Repentence of sins, Prati sankraman, Karmafal, Yug dharm, Vishnu bhakti, Method of Namaskaar to Hari, Narsingh strotras, Gyanamrit, Vishnuarchan strotras, Principles of Sankhya,

INTRODUCTION TO FEW IMPORTANT SNAKES RESIDING IN NAAG LOK / KADRU'S SONS

1)Sheshnaag was the biggest
2)Vasuki.
3)Airavata,
4)Takshaka,
5)Karkotaka,
5)Dhananjaya,
6)Kalakeya,
7)Mani,
8)Purana,
9)Pinjaraka,
10)Elapatra,
11)Vamana,
12)Nila,
13)Anila,
14)Kalmasha,

15)Savala,
16)Aryaka,
17)Ugra,
18)Kalasapotaka,
19)Suramukha,
20)Dadhimukha,
21)Vimalapindaka,
22)Apta,
23)Karotaka,
24)Samkha,
25)Valisikha,
26)Nisthanaka,
27)Hemaguha,
28)Nahusha,
29)Pingala,
30)Vahyakarna,
31)Hastipada,
32)Mudgarapindaka,
33)Kamvala Aswatara,

33)Kaliyaka,
34)Vritta,
35)Samvartaka,
36)Padma,
37)Mahapadma,
38)Sankhamukha,
39)Kushmandaka,
40)Kshemaka,
41)Pindaraka,
42)Karavira,
43)Pushpadanshtraka,
44)Vilwaka,
45)Vilwapandara,
46)Mushikada,
47)Sankhasiras,
48)Purnabhadra,
49)Haridraka,
50)Aparajita,

51)Jyotika,
52)Srivaha,
53)Kauravya,
54)Dhritarashtra, 55)Sankhapinda,
56)Virajas,
57)Suvahu,
58)Salipinda,
59)Prabhakara,
60)Hastipinda,
61)Pitharaka,
62)Sumuksha, 63)Kaunapashana,
64)Kuthara,
65)Kunjara,
66)Kumuda,
67)Kumudaksha,
68)Tittri,
69)Halika,

70)Kardama,
71)Vahumulaka,
72)Karkara,
73)Akarkara,
74)Kundodara, and
75)Mahodara. 
70)Kardama,
71)Vahumulaka,
72)Karkara,
73)Akarkara,
74)Kundodara, and
75)Mahodara.

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॥ॐ॥
अस्य श्री गायत्री ध्यान श्लोक:
(gAyatri dhyAna shlOka)
• This shloka to meditate personified form of वेदमाता गायत्री was given by Bhagwaan Brahma to Sage yAgnavalkya (याज्ञवल्क्य).

• 14th shloka of गायत्री कवचम् which is taken from वशिष्ठ संहिता, goes as follows..

• मुक्ता-विद्रुम-हेम-नील धवलच्छायैर्मुखस्त्रीक्षणै:।
muktA vidruma hEma nIla dhavalachhAyaiH mukhaistrlkShaNaiH.

• युक्तामिन्दुकला-निबद्धमुकुटां तत्वार्थवर्णात्मिकाम्॥
yuktAmindukalA nibaddha makutAm tatvArtha varNAtmikam.

• गायत्रीं वरदाभयाङ्कुश कशां शुभ्रं कपालं गदाम्।
gAyatrIm vardAbhayANkusha kashAm shubhram kapAlam gadAm.

• शंखं चक्रमथारविन्दयुगलं हस्तैर्वहन्ती भजै॥
shankham chakramathArvinda yugalam hastairvahantIm bhajE.

This shloka describes the form of वेदमाता गायत्री.

• It says, "She has five faces which shine with the colours of a Pearl 'मुक्ता', Coral 'विद्रुम', Gold 'हेम्', Sapphire 'नील्', & a Diamond 'धवलम्'.

• These five faces are symbolic of the five primordial elements called पञ्चमहाभूत:' which makes up the entire existence.

• These are the elements of SPACE, FIRE, WIND, EARTH & WATER.

• All these five faces shine with three eyes 'त्रिक्षणै:'.

RANI GAIDINLIU:THE LESSER KNOWN FREEDOM FIGHTER

Rani Gaidinliu joined the freedom struggle at 13 &was sentenced to life imprisonment at 16."We r free people—the White should not rule over us.”Thus calling out to her Zeliangrong tribesmen was the voice of 13yr-old Rani Gaidinliu.

She joined the freedom struggle in the present-day Northeast India. Today, her struggle is lost in history as most of her countrymen wouldn’t even have heard her name. B'coz our history textbooks tell us that only Mahatma Gandhi &Pandit Nehru got India its Independence.

At 16 yrs of age, this valiant girl was sentenced to life imprisonment for leading a movement to drive out the colonial rulers from Manipur and Nagaland. Nevertheless, she was released in 1947 after India’s independence and was given the title ,"Rani of Nagas".

EARLY LIFE AND HERAKA MOVEMENT

Gaidinliu belonged to the Rongmei clan of the Zeliangrong tribe in the Tamenglong district of western Manipur. Born on January 26, 1915, she was fifth among eight children.

Her native village was Nungkao, which is present day Tamenglong distt. Brought up in a specially backward region,she couldn't receive any formal education. However,this didn't stop her from joining the freedom struggle. At the age of 10 she came under the influence of her cousin.

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