A few words on the passing of William Goldman: In addition to being a legendary screenwriter, he was a friend and mentor to so many other writers, offering guidance and support, directly influencing hundreds of films beyond his own work...

You doing the academic book thing? Dope! A thread.
1. Do your homework. Sometimes the most prestigious academic press that (more) established scholars fawn over ain't meant for your research. Peep their acquisition editors, their titles, etc. Is it a fit?

2. Don't cold-submit a manuscript. Reach out to an editor. Talk about your work. Tell them where you are in the project. If y'all vibe, they'll ask to see what you got. Have it ready. Which leads to my next suggestions:

3. Don't waste your time or the editor/press' time. Bring your A game. If you are revising your diss, you need to scrap it to its bare bones starring YOU. You the authority. All that citing needs to fall back to the footnotes LOL. How are you changing/adding to the convo?

4. If you are starting from scratch - I did with Chronicling Stankonia - take some to figure out your burning question and its potential answer and learn to elevator pitch it. What you talking about? Why is it relevant? What new ground you breaking or revisiting?

5. Aight so boom you get invited to submit a proposal for peer review. Aaaaye! Your proposal is the blueprint: What's your project about? Why should it be published? Who would you be next to on the shelf? What makes you shine? Why xyz press? What is your timeline?

I realized the other day I've been doing this writing thing for almost eleven years exactly.

I became a writer the day I attended my first writing class at a local night school approx. Feb 8th, 2010.

Out of curiosity, I've been looking at the numbers over my career. (1/)

Can I share those numbers? Yes.

Am I procrastinating on actual writing projects right now? Also yes. Don't tell my editors.

Let's do this! (2/)

Over eleven years I've had:

250 short story submissions*
33 original fiction publications
3 essays publications
200 rejections

*approx. number. My records pre-2013 are shaky. In 2013 I started using The Submission Grinder. I still use it. (3/)

I started writing short stories February 2010 and started submitting them in August 2010. I got my first acceptance in September to a micro-fiction magazine. Nonpaying* and now defunct.

*I didn't learn I should expect a contract for my stories until 2013. (4/)

I "sold" 8 stories to non paying magazines between September 2010 and July 2012. It made baby writer me very happy and also taught me how sloppy many of these mags were, though they meant well.

Eventually I took the advice "writers should get paid for their work!" to heart. (5/)

Gonna talk "pitching story" for a moment, because that's how I get most of my screenwriting work and it's hard to find practical information about the art of it online and in books. This is just my experience and approach, but in the age of zoom, some of this may be helpful...

My primary goal when I pitch is TO ENGAGE THE AUDIENCE EMOTIONALLY. Yes, I'm telling the story, but for me storytelling is a vehicle that delivers emotion to an audience. I structure my pitch around emotion.

I learned this from my TV boss, Greg Walker.

How do I do it?

Two things I make sure I have in my pitch.

1. An early moment, usually in the first 30-60 seconds of speaking that creates a VIVID, EMOTIONALLY PROVOCATIVE IMAGE in the mind of the listener. We're pitching movies and TV. Those are VISUAL MEDIUMS. I drop that image early.

Sometimes, even though I can't draw, I'll sketch it out just to make *sure* it works. It'll usually revolve around a plot point, but the main goal is to get the audience to stop listening and start SEEING what I'm saying.

Then it's like storytelling at a campfire.

Having that image EARLY in your pitch can let the audience know that THIS IS INDEED A MOVIE. Once they can see the movie, then they're a little more with you. It still may not be the movie they want, but it's a movie. That's a win. The second thing I do is --

At the cafe where I'm writing the people next to me were disagreeing about the origins of Men in Black & I said "If you'd like, I could clear that up for you" & one responded: "I'm sorry, we do not need an old white male's mansplanation." So I apologized and that was that.

(And by the way - it's not like that was the first thing that was said; we'd actually exchanged small talk about various things over the course of their meal and my work.)

Okay, on the way out of the bathroom as they were leaving her friend apologized & said I just got them on a bad day for that, & I said no worries, no need to apologize & she said "Well regardless she shouldn't've used the word 'old' like that" & I literally laughed out loud

Not that it matters, when I said I'd never heard the world manspanation, which I thought was a good word, she said she was pretty sure her friend had said "explanation" and so it's possible I heard it incorrectly. (Does this matter? No. Should I get back to work? Yes.)

SHE WROTE TO ME! She saw this thread on Reddit and realized it was her and she reached out! Oh my god it was so sweet. And she really made me laugh at the end cause she said basically “PS which one of us was right, me or my friend?” (About their disagreement) (it was her)