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Software architecture is in crisis, and the way to fix it is a hefty dose of anarchy.
Some lay the blame for this on @boicy with the whole microservices thing.
(Admittedly, @nicolefv, @jezhumble and @realgenekim didn’t help when they statistically proved that he might have been onto something with all that de-coupling and team-alignment…)
However I don’t blame him at all.
I think he saved us; bringing us back to the path of value-delivery and independent services, but now with added independent teams.
But one thing is clear. Microservices need more architecture, not less (as do other forms of #Accelerate-style software organisation).
(See https://t.co/B2hWmXhIqe if you need convincing)
I mean, all those pesky slices we need to carve up our monoliths (or were they big balls of mud?) That’s a significant amount of work right there…
Some lay the blame for this on @boicy with the whole microservices thing.
(Admittedly, @nicolefv, @jezhumble and @realgenekim didn’t help when they statistically proved that he might have been onto something with all that de-coupling and team-alignment…)
However I don’t blame him at all.
I think he saved us; bringing us back to the path of value-delivery and independent services, but now with added independent teams.
But one thing is clear. Microservices need more architecture, not less (as do other forms of #Accelerate-style software organisation).
(See https://t.co/B2hWmXhIqe if you need convincing)
I mean, all those pesky slices we need to carve up our monoliths (or were they big balls of mud?) That’s a significant amount of work right there…
forgive my indulgence but 2020's been a big year for @shmuplations, so here's a look back at everything that went up over the last twelve months—there's a lot of stuff I'm sure you all read & other things you'd be forgiven for missing, so let's recap (thread)
the year kicked off with shmuplations' first big video project: a subtitled translation of a 2016 NHK documentary on the 30th anniversary of Dragon Quest which features interviews with Yuji Horii, Koichi Nakamura, Akira Toriyama, and Koichi Sugiyama https://t.co/JCWA15RTlx
following DQ30 was one of the most popular articles of the year: an assortment of interviews with composers Yuzo Koshiro and Motohiro Kawashima concerning the music of Streets of Rage 1, 2 & 3 https://t.co/QUtyC9W12Z their comments on SoR3 in particular were full of gems
Game Designers: The Next Generation profiled six potential successors to the likes of Shigeru Miyamoto & Hironobu Sakaguchi, some of who you may recognise: Kazuma Kaneko, Takeshi Miyaji (1966-2011), Noboru Harada, Kan Naitou, Takashi Tokita & Ryoji Amano https://t.co/lWZU3PLvwX
from the 2010 Akumajou Dracula Best Music Collections Box, a subbed video feature on long-time Castlevania composer Michiru Yamane https://t.co/NMJe4ROozR sadly, Chiruru has since passed; Yamane wrote these albums in his honor
https://t.co/orlgPTDsKK
https://t.co/QnQl8KI9IX
the year kicked off with shmuplations' first big video project: a subtitled translation of a 2016 NHK documentary on the 30th anniversary of Dragon Quest which features interviews with Yuji Horii, Koichi Nakamura, Akira Toriyama, and Koichi Sugiyama https://t.co/JCWA15RTlx
following DQ30 was one of the most popular articles of the year: an assortment of interviews with composers Yuzo Koshiro and Motohiro Kawashima concerning the music of Streets of Rage 1, 2 & 3 https://t.co/QUtyC9W12Z their comments on SoR3 in particular were full of gems
Game Designers: The Next Generation profiled six potential successors to the likes of Shigeru Miyamoto & Hironobu Sakaguchi, some of who you may recognise: Kazuma Kaneko, Takeshi Miyaji (1966-2011), Noboru Harada, Kan Naitou, Takashi Tokita & Ryoji Amano https://t.co/lWZU3PLvwX
from the 2010 Akumajou Dracula Best Music Collections Box, a subbed video feature on long-time Castlevania composer Michiru Yamane https://t.co/NMJe4ROozR sadly, Chiruru has since passed; Yamane wrote these albums in his honor
https://t.co/orlgPTDsKK
https://t.co/QnQl8KI9IX
buffalo uses dominion scoreboard software so not really
DEAD PEOPLE SCORED FOR BUFFALO!
A truck delivered off a suitcase full of points at halftime from Canada for Buffalo.
#StopTheSteel !!!!
I’ll be submitting sworn affidavits from Steelers fans than they saw the Buffalo rigging the game but I want to emphasize that I’m not under oath.
Sports Minute: Bills improve to 10-3 with 26-15 win over sloppy Steelers https://t.co/lg0isTiE92
— Erie News Now (@ErieNewsNow) December 14, 2020
DEAD PEOPLE SCORED FOR BUFFALO!
A truck delivered off a suitcase full of points at halftime from Canada for Buffalo.
#StopTheSteel !!!!
I’ll be submitting sworn affidavits from Steelers fans than they saw the Buffalo rigging the game but I want to emphasize that I’m not under oath.
Kubernetes vs Serverless offerings
Why would you need Kubernetes when there are offerings like Vercel, Netlify, or AWS Lambda/Amplify that basically manage everything for you and offer even more?
Well, let's try to look at both approaches and draw our own conclusions!
🧵⏬
1️⃣ A quick look at Kubernetes
Kubernetes is a container orchestrator and thus needs containers to begin with. It's a paradigm shift to more traditional software development, where components are developed, and then deployed to bare metal machines or VMs.
There are additional steps now: Making sure your application is suited to be containerized (12-factor apps, I look at you: https://t.co/nuH4dmpUmf), containerizing the application, following some pretty well-proven standards, and then pushing the image to a registry.
After all that, you need to write specs which instruct Kubernetes what the desired state of your application is, and finally let Kubernetes do its work. It's certainly not a NoOps platform, as you'll still need people knowing what they do and how to handle Kubernetes.
⏬
2️⃣ A quick look at (some!) serverless offerings
The offer is pretty simple: You write the code, the platform handles everything else for you. It's basically leaning far to the NoOps side. There is not much to manage anymore.
Take your Next.js / Nuxt.js app, point the ...
Why would you need Kubernetes when there are offerings like Vercel, Netlify, or AWS Lambda/Amplify that basically manage everything for you and offer even more?
Well, let's try to look at both approaches and draw our own conclusions!
🧵⏬
1️⃣ A quick look at Kubernetes
Kubernetes is a container orchestrator and thus needs containers to begin with. It's a paradigm shift to more traditional software development, where components are developed, and then deployed to bare metal machines or VMs.
There are additional steps now: Making sure your application is suited to be containerized (12-factor apps, I look at you: https://t.co/nuH4dmpUmf), containerizing the application, following some pretty well-proven standards, and then pushing the image to a registry.
After all that, you need to write specs which instruct Kubernetes what the desired state of your application is, and finally let Kubernetes do its work. It's certainly not a NoOps platform, as you'll still need people knowing what they do and how to handle Kubernetes.
⏬
2️⃣ A quick look at (some!) serverless offerings
The offer is pretty simple: You write the code, the platform handles everything else for you. It's basically leaning far to the NoOps side. There is not much to manage anymore.
Take your Next.js / Nuxt.js app, point the ...
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Stan Lee’s fictional superheroes lived in the real New York. Here’s where they lived, and why. https://t.co/oV1IGGN8R6
Stan Lee, who died Monday at 95, was born in Manhattan and graduated from DeWitt Clinton High School in the Bronx. His pulp-fiction heroes have come to define much of popular culture in the early 21st century.
Tying Marvel’s stable of pulp-fiction heroes to a real place — New York — served a counterbalance to the sometimes gravity-challenged action and the improbability of the stories. That was just what Stan Lee wanted. https://t.co/rDosqzpP8i
The New York universe hooked readers. And the artists drew what they were familiar with, which made the Marvel universe authentic-looking, down to the water towers atop many of the buildings. https://t.co/rDosqzpP8i
The Avengers Mansion was a Beaux-Arts palace. Fans know it as 890 Fifth Avenue. The Frick Collection, which now occupies the place, uses the address of the front door: 1 East 70th Street.
Stan Lee, who died Monday at 95, was born in Manhattan and graduated from DeWitt Clinton High School in the Bronx. His pulp-fiction heroes have come to define much of popular culture in the early 21st century.
Tying Marvel’s stable of pulp-fiction heroes to a real place — New York — served a counterbalance to the sometimes gravity-challenged action and the improbability of the stories. That was just what Stan Lee wanted. https://t.co/rDosqzpP8i
The New York universe hooked readers. And the artists drew what they were familiar with, which made the Marvel universe authentic-looking, down to the water towers atop many of the buildings. https://t.co/rDosqzpP8i
The Avengers Mansion was a Beaux-Arts palace. Fans know it as 890 Fifth Avenue. The Frick Collection, which now occupies the place, uses the address of the front door: 1 East 70th Street.