Software architecture is in crisis, and the way to fix it is a hefty dose of anarchy.

Some lay the blame for this on @boicy with the whole microservices thing.

(Admittedly, @nicolefv, @jezhumble and @realgenekim didn’t help when they statistically proved that he might have been onto something with all that de-coupling and team-alignment…)
However I don’t blame him at all.

I think he saved us; bringing us back to the path of value-delivery and independent services, but now with added independent teams.
But one thing is clear. Microservices need more architecture, not less (as do other forms of #Accelerate-style software organisation).

(See https://t.co/B2hWmXhIqe if you need convincing)
I mean, all those pesky slices we need to carve up our monoliths (or were they big balls of mud?) That’s a significant amount of work right there…
The truth is, the vast majority of attempts at - and ensuing aftermaths of - such slicing and continuous delivery have highlighted problems for almost all organisations, even the ones who were doing great architecture: How to scale their architects.
One of the biggest problems? Suddenly architects (and I include myself in this group) needed to be in far too many places at once, doing all that "architecture".
And so to cope, we architects either kept doing our job and became bottlenecks, or admitted defeat / got circumnavigated, or worse still went back to code and created “frameworks” which helped teams stick to the true path.

*Shudder*
None of these approaches have worked. And they never will.

And consequently many, many #microservices adoptions failed; with #microservices themselves getting an undeserved bad name in the process.
But microservices aren’t a curse on software delivery - and they ought to be a blessing.

What we need is a workable way to approach them, and in the process realise the associated benefits of both team autonomy and improvements in system architecture.
In the remainder of this thread I’m going to introduce the idea of an #AnarchisticArchitecture.

I’ll describe what it is and you could do it. Hopefully you’ll see how it offers the best (only?) way out of this mess.
Let’s remind ourselves first what “#anarchy” means: It’s the absence of government. The absence of authority. https://t.co/iJAZQJIXgg

Straight away that means how we are used to doing architecture, via all-powerful architects taking all the decisions, is going to have to stop.
But decisions still need to get made - that’s what architecture is.

(As @Grady_Booch has said “architecture represents the set of significant design decisions that shape the form and the function of a system, where significant is measured by cost of change.”)
@martinfowler agrees “software architecture is those decisions which are both important and hard to change”.

So the first test is can an #AnarchisticArchitecture deliver on this?

The answer is "Yes".

More from Software

Kubernetes vs Serverless offerings

Why would you need Kubernetes when there are offerings like Vercel, Netlify, or AWS Lambda/Amplify that basically manage everything for you and offer even more?

Well, let's try to look at both approaches and draw our own conclusions!

🧵⏬

1️⃣ A quick look at Kubernetes

Kubernetes is a container orchestrator and thus needs containers to begin with. It's a paradigm shift to more traditional software development, where components are developed, and then deployed to bare metal machines or VMs.

There are additional steps now: Making sure your application is suited to be containerized (12-factor apps, I look at you:
https://t.co/nuH4dmpUmf), containerizing the application, following some pretty well-proven standards, and then pushing the image to a registry.

After all that, you need to write specs which instruct Kubernetes what the desired state of your application is, and finally let Kubernetes do its work. It's certainly not a NoOps platform, as you'll still need people knowing what they do and how to handle Kubernetes.



2️⃣ A quick look at (some!) serverless offerings

The offer is pretty simple: You write the code, the platform handles everything else for you. It's basically leaning far to the NoOps side. There is not much to manage anymore.

Take your Next.js / Nuxt.js app, point the ...

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I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x


The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x

Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x

The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x

It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x
Хајде да направимо мали осврт на случај Мика Алексић .

Алексић је жртва енглеске освете преко Оливере Иванчић .
Мика је одбио да снима филм о блаћењу Срба и мењању историје Срба , иза целокупног пројекта стоји дипломатски кор Британаца у Београду и Оливера Иванчић


Оливера Илинчић је иначе мајка једне од његових ученица .
Која је претила да ће се осветити .

Мика се налази у притвору због наводних оптужби глумице Милене Радуловић да ју је наводно силовао човек од 70 година , са три бајпаса и извађеном простатом пре пет година

Иста персона је и обезбедила финансије за филм преко Беча а филм је требао да се бави животом Десанке Максимовић .
А сетите се и ко је иницирао да се Десанка Максимовић избаци из уџбеника и школства у Србији .

И тако уместо романсиране верзије Десанке Максимовић утицај Британаца

У Србији стави на пиједестал и да се Британци у Србији позитивно афирмишу како би се на тај начин усмерила будућност али и мењао ток историје .
Зато Мика са гнушањем и поносно одбија да снима такав филм тада и почиње хајка и претње која потиче из британских дипломатских кругова

Најгоре од свега што је то Мика Алексић изговорио у присуству високих дипломатских представника , а одговор је био да се све неће на томе завршити и да ће га то скупо коштати .
Нашта им је Мика рекао да је он свој живот проживео и да могу да му раде шта хоће и силно их извређао