BC CULTURE
Saved by @Mollyycolllinss

"Music, Sense and Nonsense: Collected Essays and Lectures", por Alfred Brendel.

Capítulo: “Thanking the Critics - London Critic’s Circle Award

 Alfred Brendel ganó en 2003 el London Critic’s Circle Award, el cual que se otorga a quienes han prestado por un largo tiempo un servicio distinguido a las artes. Este premio se ha entregado a Ninette de Valois, Alicia Markova, Judi Dench, Ian McKellen, Helen Mirren, entre otros.
En su discurso, Brendel confiesa que aún en ese punto en su vida y con el gran éxito alcanzado, sigue teniendo algo de la aprehensión que tenía en un principio cuanto trataba de consolidar su prestigio con la ayuda con la prensa, y a veces sin ella.
Brendel agradece en particular a los críticos que después de su primer recital en Graz, Austria, le predijeron un futuro brillante, y a William Mann, quien lo describió en “The Times” uno de sus primeros conciertos como “un recital en mil”.
Brendel también agradece en retrospectiva al “New York Times” que por varios años lo menospreció, por demostrarle que es posible ganar admiradores y establecer una reputación a pesar de él.

https://t.co/d8L71O5LQ3
A pesar de haber escrito algunas reseñas, haber ocasionalmente ventilado públicamente sus recelos sobre Glenn Gould y reconocer en algunos de sus colegas lo que un gran intérprete puede alcanzar, Brendel no se considera un crítico.
Brendel prefiere hablar de la facultad crítica con la que se siente más familiarizado: la autocrítica: “One’s own performances, musical goals and perspectives need to be continuously aired, scrutinised and measured with the yardsticks of the compositions themselves.”
Para Brendel también es importante que no todo sea autocrítica. “Where there is a healthy balance between elation and scepticism the performer is in the right track providing that there is also talent, patience, perseverance, vision, a sound constitution and luck.”
Brendel limita esta autocrítica al plano musical. “A famous pianist once stated that the ethos of a performance was inextricably linked to each and every bite the performer undertakes to swallow. This, I believe, is nonsense. The human being and the artist often operate…
on very different levels if not in different worlds and no one has yet been able to explain the gap between the almost limitless range and accomplishment of the great artist and his limitations as a private person. The idea that the artist necessary mirrors the man is a fallacy."
Para finalizar su discurso, Brendel menciona el obituario que Goethe y Zelter escribieron después de la muerte de Haydn. En el decían que en la música de Haydn encontramos al mismo tiempo ingenuidad e ironía, las características distintivas de un genio.
“I have never considered myself a genius, yet this dichotomy - next to that of chaos and order - has told me something about my own frame of mind. I think it may serve well, not just for geniuses, but as the bond that unites them with civilized critics and performers.”
Este capítulo es el penúltimo de este libro, que ha sido un compañero excepcional en este caótico y difícil último año. Afortunadamente ya tenemos tres nuevas opciones para este 2021:
¿Con cuál preferirían que empecemos?
@threadreaderapp unroll

More from Culture

It's TEGAN!
It's TEGAN!
@tegan_oneil5000
on a very basic level it is astounding to me that seemingly half the country is hooked on the adventures of The Vision & Scarlet Witch, whose last series together was a precise contemporary of Watchmen and The Dark Knight Returns, and which was quarter box fodder for decades

in hindsight, of course, the idea of framing a superhero story as a suburban dramedy seems novel and fresh to people, but that’s only because other people spent literally three and a half decades sleeping on it


now, of course, many new fans who look into the history of the matter might wonder why such a seemingly popular and fecund direction for these two characters was permanently shelved in the late 80s, what set of factors could possibly have -


they were able to put back some of what was broken - in time - but they never were able to get back to the marriage, and by the time the characters had new status quos in the early 90s the company had moved away from those kinds of genre experiments, and the rift became permanent

the Vision was a humorless drip for years, doing much the same schtick as Data during the precise years ST:TNG was airing

and as a consequence of those stories Wanda permanently became the poster child of women who cannot handle their power because of female inconstancy ...
CULTURE
Pulp Librarian
Pulp Librarian
@PulpLibrarian
Many readers have asked me "why do so many pulp covers feature women in ripped red blouses standing in swamps while a man fights off an unusual animal attack?"

The answer is artist Will Hulsey...


Will Hulsey was the undisputed king of the animal attack pulp cover. You name it, he'd paint it attacking you in a pool of stagnant water.


Very little is known about Will Hulsey, but he worked on a number of men's pulp magazines in the 1950s and early 1960s including Man's Life, True Men, Guilty, Trapped and Peril.


Their audience was ex-GIs: during WWII the US Council of Books in Wartime had given away over 122 million books to American servicemen to read; this led to a post-war surge in paperback and magazine sales amongst these newly enthusiastic readers.


As a result the 1950s saw a raft of men's pulp magazines being published to tap into this market - almost 200 different titles!
CULTURE
Advertisement
John Moe
John Moe
@johnmoe
(a thread)
My favorite tv show is Adventure Time. I am here to argue that if you look at the show from an angle of mental health and managing it, Finn and Jake are not the lead characters. Princess Bubblegum is. 1


The most compelling character on the show, to me anyway, is Lemongrab. He was created by PB, the first of the candy people she created to “go wrong”. Lemongrab has devastating anxiety. He doesn’t know and can’t learn how to interact with the world. 2


When he’s lonely, he sneaks into the castle to stare at people while they sleep. PB tries to teach him to cuddle and play with a candy person but he can only poke and slap. He screams, he calls things “unacceptable”, he sentences folks to the dungeon. 3


When given a castle of his own and a clone to keep him company, everything gets donked up. He and his clone make living messed-up people out of their food, they eat each other, it’s a horrifying place. 4


Lemongrab just CAN’T with other people. The more he tries, the more frustrating it gets, so the more he screams.
For the purpose of this thread, Lemongrab represents ANXIETY. 5
CULTURE
Jerry Daykin
Jerry Daykin
@jdaykin
Time to lift the lid? Can you ‘live tweet’ reading a 6 year old playbook you co-wrote and it not be the be the most boring thing ever? How could something written about social media 6 years ago possibly even be relevant eh?! #StorytellingAtScale


From a creative perspective we could almost stop right here... the biggest challenge in churning out content is that you don’t give yourself the time to make exceptional content that you’d actually want millions of people to see... like your TV ads. #StorytellingAtScale


This doesn’t seem... controversial? But we gave it a whole page because frankly all too often it still is 🤷‍♂️ #StorytellingAtScale


An integrated campaign that brings the same campaign idea (and distinctive assets ideally) to life but in a way that makes sense on social...? Sounds pretty obvious. This was the output of the first ever UK ‘Publishing Garage’ workshop with Facebook & Elvis. #StorytellingAtScale


Ahh yes, perhaps not award winning creativity but let’s acknowledge FB isn’t always the biggest/broadest brand building canvas... practical occasion based (category entry point even?) content and simple reminders or prompts play a big role. #StorytellingAtScale
CULTURE
Chris Pramas
Chris Pramas
@Pramas
Today’s game supplement is Death in Freeport (2000) from Green Ronin Publishing. I haven’t really featured my own work on #CuratedQuarantine to date but it is relevant to the d20 story.


D&D 3E, which I talked about yesterday, was released with two attached licenses: the Open Game License and the d20 System Trademark License. #CuratedQuarantine

The basic idea was to give other publishers a legal way to release D&D compatible material and to be able to indicate that with a special d20 System logo. This would eliminate a lot of legal headaches that TSR and then WotC had to deal with. #CuratedQuarantine

It was also hoped that certain types of support books that WotC had difficulty selling in large numbers—short adventures in particular—could be taken up by third party companies. I remember the work meeting where all this was pitched to the staff. #CuratedQuarantine

WotC was too big to be agile, it was argued, so let other companies provide support material. The more people kept playing D&D, the more WotC would benefit. #CuratedQuarantine
CULTURE

You May Also Like

The New York Times
The New York Times
@nytimes
Stan Lee’s fictional superheroes lived in the real New York. Here’s where they lived, and why. https://t.co/oV1IGGN8R6


Stan Lee, who died Monday at 95, was born in Manhattan and graduated from DeWitt Clinton High School in the Bronx. His pulp-fiction heroes have come to define much of popular culture in the early 21st century.

Tying Marvel’s stable of pulp-fiction heroes to a real place — New York — served a counterbalance to the sometimes gravity-challenged action and the improbability of the stories. That was just what Stan Lee wanted. https://t.co/rDosqzpP8i


The New York universe hooked readers. And the artists drew what they were familiar with, which made the Marvel universe authentic-looking, down to the water towers atop many of the buildings. https://t.co/rDosqzpP8i


The Avengers Mansion was a Beaux-Arts palace. Fans know it as 890 Fifth Avenue. The Frick Collection, which now occupies the place, uses the address of the front door: 1 East 70th Street.
CULTURE
\u0936\u094d\u0930\u0940\u092e\u093e\u0932\u0940 \u0939\u093f\u0924\u0947\u0936 \u0905\u0935\u0938\u094d\u0925\u0940
श्रीमाली हितेश अवस्थी...
@HiteshAwasthi89
Statue of Equality (Ramanuja) Muchintal, Hyderabad, Telangana

The Statue of Equality is a monument in India dedicated to the 11th-century Vaishnavaite Sage Bhagavad Ramanuja, commemorating 1000 years since his birth. It was inaugurated by Prime Minister Narendra Modi ji in 2019.


In 2014, Sri Chinna Jeeyar came up with the idea to commemorate the 1000th anniversary of Sri Ramanuja's teachings by building the Statue of Equality. The statue is constructed on an estimated 34 acres in Hyderabad, India.


It consists of a 216 foot tall statue of Ramanuja and is surrounded by 108 Divyadesams (model temples) and includes an educational gallery. The project budget is 1000 crore rupees.The foundation stone for the Statue of Equality was laid by Chinna Jeeyar.


The statue was built by Aerosun Corporation in China before being shipped to India. It is made of panchaloha, a combination of gold, silver, copper, brass and titanium. The statue relies on donations to fund its construction.


The temple is located on the 27,870 square metre second floor with a 120 kg statue of Ramanuja, representing the years he lived, meant for daily worship. The 1,365 square metre third floor including a Vedic digital library and research center.
ALL
Advertisement
\u0932\u0916\u094b\u092c\u093e \u0932\u094b\u0916\u0902\u0921\u0947
लखोबा लोखंडे...
@LakhobaLokhande
Secrets of Ganapati (Author - Keshav Sitaram Thackeray)

This article is taken from Keshav Sitaram Thackeray's book 'Dharmachi Devale and Devalcha Dharma'. In it, Bal Thackeray's father is claiming how the Hindu deity of Ganesha is imaginary.
(1/20)

Buddha is Ashtavinayak and "Ganapati Bappa Morya" is "Chandragupta Morya".

In the era of democracy, the head of state is the President. But in ancient India, there was a Gana culture in the monarchy and the head of that Gana was called Ganapati
(2/20)

In ancient India, a prince named Siddharth Gautam was born in royalty. He later became the king of Shakya Gana in this Gana culture. In time, Siddhartha attained enlightenment.

Let us now understand the difference between a real Ganapati and an imaginary Ganapati.
(3/20)

Some clever Brahmin manuvadis made the real Ganapati the imaginary Ganapati.

Buddha was the king of the Shakya Gana, so people called him Ganaraja. He founded Buddhism and became the head of the Shakyas. As the head of Gana, people used to call Buddha as Ganapati.
(4/20)

But the Brahmins Brahmanized Ganapati and created a false Ganapati. When Buddha used to give the message of Dharma to the people, two words would come out of his message. Chitta and Malla.

Chitta is the body.
Malla means waste
(5/20)
INDIA
George Mack
George Mack
@george__mack
THREAD: 15 of the most useful razors and rules I've found.

Rules of thumb that simplify decisions.

Bezos' Razors:

• If unsure what action to take, let your 80-year-old self make it.

• If unsure who to work with, pick the person that has the best chances of breaking you out of a 3rd world prison.

Skinner's Law:

• If procrastinating on an item, you only have 2 options:

1. Make the pain of not doing it greater than the pain of doing it.

2. Make the pleasure of doing it greater than the pleasure of not doing it.

Luck Razor:

• If stuck with 2 equal options, pick the one that feels like it will produce the most luck later down the line.

I used this razor to go for drinks with a stranger rather than watch Netflix.

In hindsight, it was the highest ROI decision I've ever made.

Bragging Razor:

• If someone brags about their success or happiness, assume it’s half what they claim.

• If someone downplays their success or happiness, assume it’s double what they claim.

The map is not the terrain.
ALL , BUSINESS , PRINCIPLES
XVIII Airborne Corps\U0001f409
XVIII Airborne Corps🐉...
@18airbornecorps
1 of 16: WE ARE ALL JEWS HERE: THE STORY OF RODDIE EDMONDS

One of the most moving and relevant stories of the Battle of the Bulge, or any American Soldier in any war, is that of Master Sergeant Roddie Edmonds, a Knoxville, Tennessee native, who served with the 106th Infantry.


2 of 16:

Roddie was captured early on in the Battle of the Bulge, on December 19th, when Panzer forces plowed through his unit.

He, along with almost his entire regiment, was forced to surrender.


3 of 16:

The men were transported to the Stalag IX-A POW camp in Ziegenhain, Germany.

Roddie was the senior enlisted American Soldier at the site. As such, he was the conduit between all American Soldiers and their German captors.


4 of 16:

In late January, the camp’s commandant, Major Siegmann [pictured here], ordered Roddie, a Christian, to identify all Jewish Soldiers and order them to stand in formation by themselves the next day.

[Jewish Soldiers were a minority within American units]


5 of 16:

Throughout WWII, captured Jewish Soldiers were often tortured and then killed by their German captors.

In fact, Jewish Soldiers had been told to bury their dog tags before capture. The dog tag identified Jews with the letter “H” for Hebrew.
SOCIETY