Macarthur fellow and Hugo-award-winner @nkjemisin's 2019 book "The City We Became" is both a fantastic contemporary fantasy novel and a scorching commentary on the infantile nature of the racist dogma of HP Lovecraft and his

It's a quest novel about a group of New Yorkers who awaken one day to discover that they are mystical avatars of the city, which has awakened and been reborn as a kind of powerful colony organism.

2/
There's an avatar for each of the five boroughs, plus a "primary" who represents the city as a whole. As with all births, this one is somewhat traumatic - but NYC's birth is uniquely fraught.

First, the five boroughs must find one another and connect with the primary.

3/
But they must do all this while under sustained assault from a mystical, transdimensional, Lovecraftian horror, a great adversary to all of our Earth's living cities - but an adversary that had been believed to be powerless against cities after their births.

4/
The enemy manifests as a Karen, a white woman clad all in white, dogwhistling racist tropes, summoning police, weaponizing vast fortunes to evict its enemies or distort their culture. It is attended by harbingers - human beings infected with fluttering white tentacles.

5/
The city's avatars are a BIPOC, queer, all-ages group, spiky and disunified, forced to resolve their differences as they quest for one another and battle the adversary in a race to save the city - and ultimately, our universe - from its eldritch horrors.

6/
As Lovecraft pastiches go, this is pretty fucking great stuff. Jemisin invokes Lovecraft's purple prose and vivid imagery to evince the real frisson of his horror, while simultaneously puncturing Lovcraft's noxious racism, which famously manifested in his disgust for cities.

7/
As with @bymattruff's 2016 novel LOVECRAFT COUNTRY, Jemisin does fantastic work in puncturing Lovecraft's atavistic horror of The Other by holding the mirror to it - inviting the reader to empathize with the object of that reflexive fear and disgust.

https://t.co/TtMuSzCgSz

8/
But THE CITY WE BECAME represents an advance on LOVECRAFT COUNTRY in an important regard: the way that it treats with the simplicity of the conservative worldview and the complexity of the real world.

9/
Many have observed that conservativism's nostalgia for "simpler times" is really a yearning for childhood: the reason life was simpler when you were a child isn't because times were simpler - it's because you were a child, sheltered from life's complexities by your parents.

10/
Hence conservativism's daddy issues, its yearning for strongmen who'll make the nation great through discipline, ordering and control.

In this telling, xenophobia is just the adult version of a toddler's unwillingness to eat their peas if they touch the mashed potatoes.

11/
An infantile, irrational fussiness that, in turn, is antithetical to cities - the sprawling, organic, self-organizing, diverse, chaotic places where ideas and languages and peoples and smells and tastes all rub up against each other.

12/
Jemisin's mythical battle of the messy city and the Lovecraftian adversary's desire for sterile order is a kind of eldritch dramatization of the fight between Robert Moses and Jane Jacobs - a fight that goes all the way back to Plato.

13/
Plato's Republic, after all, is the ultimate conservative work - the belief that people are born to virtue, and that virtue determines who is fit to rule and who must be ruled over because they cannot govern themselves.

14/
Plato even presaged Lovecraft's disgust with complex polyrhythms ("maddening drums"), decrying "broken rhythms" for their potential to disorder the listener's self-control - a theme that repeats in Jemisin's book as the avatar of Brooklyn spits weaponized rhymes.

15/
An obsession with neatness, categories, purity and hierarchy are the hallmark of both toddlers and conservatives, and Jemisin reveals that Lovecraft's squamous, rugose revulsions are just three grossed-out toddlers in a trenchcoat throwing their carrots on the floor.

16/
There's many ways to carve our ideological divisions right now. One of the most powerful fracture lines is simplicity-vs-complexity - the need to bleach everything to sterility versus the understanding that complex, thriving, diverse systems are necessary to our survival.

17/
Like all the best "urban fantasy," THE CITY WE BECAME is a love-hymn to cities themselves as living climax systems. More than that, Jemisin wields her city against the forces of infantile reaction.

eof/

More from Cory Doctorow #BLM

Today's Twitter threads (a Twitter thread).

Inside: Privacy Without Monopoly; Broad Band; $50T moved from America's 90% to the 1%; and more!

Archived at: https://t.co/QgK8ZMRKp7

#Pluralistic

1/


This weekend, I'm participating in Boskone 58, Boston's annual sf convention.

https://t.co/2LfFssVcZQ

Tonight, on a panel called "Tech Innovation? Does Silicon Valley Have A Mind-Control Ray, Or a Monopoly?" at 530PM Pacific.

2/


Privacy Without Monopoly: A new EFF white paper, co-authored with Bennett Cyphers.

https://t.co/TVzDXt6bz6

3/


Broad Band: Claire L Evans's magesterial history of women in computing.

https://t.co/Lwrej6zVYd

4/


$50T moved from America's 90% to the 1%: The hereditary meritocracy is in crisis.

https://t.co/TquaxOmPi8

5/

More from Culture

A thread of very good, wonderful, truly Super Bowls.

Translucent agate bowl with ornamental grooves and coffee-and-cream marbling. Found near Qift in southern Egypt. 300 - 1,000 BC. 📷 Getty Museum https://t.co/W1HfQZIG2V


Technicolor dreambowl, found in a grave near Zadar on Croatia's Dalmatian Coast. Made by melding and winding thin bars of glass, each adulterated with different minerals to get different colors. 1st century AD. 📷 Zadar Museum of Ancient Glass
https://t.co/H9VfNrXKQK


100,000-year-old abalone shells used to mix red ocher, marrow, charcoal, and water into a colorful paste. Possibly the oldest artist's palettes ever discovered. Blombos Cave, South Africa. 📷https://t.co/0fMeYlOsXG


Reed basket bowl with shell and feather ornaments. Possibly from the Southern Pomo or Lake Miwok cultures. Found in Santa Barbara, CA, circa 1770. 📷 British Museum https://t.co/F4Ix0mXAu6


Wooden bowl with concentric circles and rounded rim, most likely made of umbrella thorn acacia (Vachellia/Acacia tortilis). Qumran. 1st Century BCE. 📷 https://t.co/XZCw67Ho03

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1/“What would need to be true for you to….X”

Why is this the most powerful question you can ask when attempting to reach an agreement with another human being or organization?

A thread, co-written by @deanmbrody:


2/ First, “X” could be lots of things. Examples: What would need to be true for you to

- “Feel it's in our best interest for me to be CMO"
- “Feel that we’re in a good place as a company”
- “Feel that we’re on the same page”
- “Feel that we both got what we wanted from this deal

3/ Normally, we aren’t that direct. Example from startup/VC land:

Founders leave VC meetings thinking that every VC will invest, but they rarely do.

Worse over, the founders don’t know what they need to do in order to be fundable.

4/ So why should you ask the magic Q?

To get clarity.

You want to know where you stand, and what it takes to get what you want in a way that also gets them what they want.

It also holds them (mentally) accountable once the thing they need becomes true.

5/ Staying in the context of soliciting investors, the question is “what would need to be true for you to want to invest (or partner with us on this journey, etc)?”

Multiple responses to this question are likely to deliver a positive result.
1/ Here’s a list of conversational frameworks I’ve picked up that have been helpful.

Please add your own.

2/ The Magic Question: "What would need to be true for you


3/ On evaluating where someone’s head is at regarding a topic they are being wishy-washy about or delaying.

“Gun to the head—what would you decide now?”

“Fast forward 6 months after your sabbatical--how would you decide: what criteria is most important to you?”

4/ Other Q’s re: decisions:

“Putting aside a list of pros/cons, what’s the *one* reason you’re doing this?” “Why is that the most important reason?”

“What’s end-game here?”

“What does success look like in a world where you pick that path?”

5/ When listening, after empathizing, and wanting to help them make their own decisions without imposing your world view:

“What would the best version of yourself do”?