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Please Review re: Coastal GasLink Pipeline @TaxJusticeNet @FairTaxCanada @GA4TJ @StopCorpAbuse @SEC_Enforcement @anticorruption @UNDPGAIN @OCCRP @ICIJorg @hrw @HRWcanada @UN_Women @UN4Indigenous @WMC_WR @NWAC_CA @NCAI1944 @AFN_Updates @lakotalaw @HonorTheEarth @antonioguterres


53 organizations representing over 2 million people, we call on the Government of Canada to immediately order EDC to align its business with Canada’s climate commitments. Coastal Gaslink Pipeline mentioned.

In Canada the pattern repeated with multiple pipelines. After approvals they flip the ownership of pipes with asset sales to negate contractual obligations re: terms of approval, insurance, liability etc. This happened to TransMountain, Coastal Gas Link, Enbridge Line 10 etc.

My email to the Prime Minister from Feb. 2020. I am still waiting for the answers.


Canada Energy Regulator (CER) is formerly the National Energy Board. I asked for proof of the insurance of Enbridge's pipelines. The CER Chair sent me data based on assets owned in 2016 most of which has been sold off since. The website give in the response held that info.
Some readers have been asking what #India2030 is all about.
Here’s a chapter-by-chapter thread on the 20 forecasts by 20 thought leaders on 20 themes that will define India in the 2020s.
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Chapter 20 of #India2030 by @davidfrawleyved talks about how the Civilizational Resurgence of India will reconnect its ancient past to ride into a dharmic future
2/n

Chapter 19 of #India2030 by @devdip tells us what the new idea of Nationalism in the 2020s will be — an integral union of the nation with the self
3/n

Chapter 18 of #India2030 by @sandipanthedeb examines how ideologies and technologies will intrude into and redefine Friendships
4/n

Chapter 17 of #India2030 by @authoramish studies the Soft Power of India and says its global influence will be through the confluence of materialism and spiritualism
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This is what happens when you train neural networks largely on tone and its stylistic relics. They pick up formal features of arguments (not so much fallacies as tics) that have almost nothing to do with semantic content (focus on connotation over implication).


This is a secular problem in the discipline. It's got nothing to do with the Analytic/Continental split in the anglophone world. They've both got the same ramifying signal/noise problem, it's just that the styles (tics and connotations) are different in each pedagogical context.

And this is before we start talking about tone policing and topic policing, which are both rife and essentially make the peer review journal system completely unfit for purpose, populated as it is by a random sampling of pedants selecting for syntactic noise over semantic signal.

We've allowed a system of self-reinforcing and ratcheting filters to evolve that effectively *fuzzes* our contribution to the growth of human knowledge (https://t.co/VmW15pGt7J), because it selects for properties only loosely related to those we claim to want. Let that sink in.

This is literally the opposite of what a filter is supposed to do: extract signal from noise, syntactic compression that preserves semantic content. Instead we are awash in syntactic artifacts optimised for minimal criticisable content and maximal pedantic posturing.
A further thread on the EU/UK musicians/visa for paid work issue (the issue is paid work: travelling to sing or play at eg a charity event for free can be done without a visa).


The position that we now have now (no relevant provisions under the TCA) is complicated. For EU musicians visiting the UK see


In essence the UK permits foreign (including EU) nationals to stay up to 30 days to carry out paid engagements, but they must (a) prove they are a professional musician and (b) be invited by an established UK business.

Either condition could be tricky for a young musician starting out and wanting to play gigs. And 30 days isn’t long enough for a part in a show with a run.

Longer stays require a T5 visa - which generally requires you to be in a shortage occupation (play an instrument not played in the UK?) or to have an established international reputation.