Back in 2004, Ricky Williams, the American football player, left the Miami Dolphins after a third strike for smoking weed and disappeared. He’d had a notable career besides, but this was the capper: He said goodbye to his coach from Hawaii and vanished off the face of the Earth.

I was like, I want to be the guy who finds him. My memory is a little foggy here, but I think I got Ricky’s email address from the godfather of one of Esquire’s editors. It was an AOL account, I remember. I wrote Ricky and asked him if he’d talk to me if I found him.
He replied! And he said if I found him, he would tell me everything. AMAZING. But first—finding him. There were reports that he’d been in Italy, Fiji, Japan, and, most recently, Australia. A guy who’d felt trapped was now making the most of his freedom. Ricky was on THE MOVE.
I asked Peter, my editor, if I could go searching for Ricky. I didn’t really think I would find him. But I figured I’d get some crazy travel out of it, giving chase. That’s what I was calling the story in my head: “Chasing Ricky.” I imagined I’d always be one step behind.
Peter asked me what I thought my chances were. My brain calculated, “Less than one tenth of one percent.” My mouth said, “50-50.” I don’t like to think I was lying so much as my brain and mouth had been in disagreement. Anyway, a coin toss was good enough for Peter: Go.
I had lived in Australia when I was a teenager. I dropped out of high school and surfed and dived—quite pleasant, really, even if I’d given my parents absolute fits. I knew that Byron Bay was a pretty spectacular place to hide out and smoke weed. Might as well start there.
I flew to Brisbane and drove to Byron Bay. You have to understand the strain of jet lag that follows a flight to Australia. I pulled into town and felt like I had cataracts. Also: What now? I hadn’t thought beyond getting to Byron Bay. I was like, I guess I’ll go to the beach.
I walked along the beach for about ten minutes… hoping I’d run into Ricky Williams? But honestly also hoping I wouldn’t, because I wanted to travel some more. I looked at the ocean and breathed in the salt and tried to feel more like a human. I was in a total dream state.
Eventually I ran into a leathery Australian man with long hair and a beard. He was wearing a tiny pair of shorts, and that was it. He seemed like someone who would know where someone like Ricky Williams might be. I asked him if he’d seen an extremely fast American man lately.
“Yeah,” he said. Okay, sorry to bother—Wait, what? The man said that a man matching my description was staying at a campground-turned-commune in the trees outside of town. I was like, No way. But what else was I going to do? I staggered to the campground like a drunk.
I found this hippie jungle paradise and went into the welcome hut and asked if someone named Ricky was staying there. A friendly woman said, “Yeah, he’s in the tents.” Now I thought… Is it actually possible that I’ve found Ricky Williams? In 20 minutes? No fucking way.
I walked over to “the tents.” There were maybe a hundred tents pitched all over the place. I thought, Do I just stand here and monitor the tents like a weirdo? That’s when I heard a soft American voice coming out of a little kitchen hut. “Oh no, thank you,” the voice said.
I put my head through the door and there he was: Ricky Williams in the flesh. He was turning celery into juice. I said, “Ricky?” And he turned around: “Yes?” And I said, “It’s me, Chris. From Esquire.” And Ricky said: “Wow, you found me.” And I said, “Yeah! I FOUND YOU.”
I called Peter from the bank of pay phones outside the campground. He couldn’t believe it. “What? Found who?” Ricky and I spent eight wonderful days together. Whale watching. Playing poker. Getting super high with a Gandalf-looking guy named Mystic Steve.
But that first night, we just went to a movie together, “The Village.” I was wiped out and fell asleep. I woke up when the lights came on, with my head on Ricky’s shoulder. I had no idea where I was. I just knew I was there with Ricky Williams, like I was always going to be.

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1/“What would need to be true for you to….X”

Why is this the most powerful question you can ask when attempting to reach an agreement with another human being or organization?

A thread, co-written by @deanmbrody:


2/ First, “X” could be lots of things. Examples: What would need to be true for you to

- “Feel it's in our best interest for me to be CMO"
- “Feel that we’re in a good place as a company”
- “Feel that we’re on the same page”
- “Feel that we both got what we wanted from this deal

3/ Normally, we aren’t that direct. Example from startup/VC land:

Founders leave VC meetings thinking that every VC will invest, but they rarely do.

Worse over, the founders don’t know what they need to do in order to be fundable.

4/ So why should you ask the magic Q?

To get clarity.

You want to know where you stand, and what it takes to get what you want in a way that also gets them what they want.

It also holds them (mentally) accountable once the thing they need becomes true.

5/ Staying in the context of soliciting investors, the question is “what would need to be true for you to want to invest (or partner with us on this journey, etc)?”

Multiple responses to this question are likely to deliver a positive result.
Хајде да направимо мали осврт на случај Мика Алексић .

Алексић је жртва енглеске освете преко Оливере Иванчић .
Мика је одбио да снима филм о блаћењу Срба и мењању историје Срба , иза целокупног пројекта стоји дипломатски кор Британаца у Београду и Оливера Иванчић


Оливера Илинчић је иначе мајка једне од његових ученица .
Која је претила да ће се осветити .

Мика се налази у притвору због наводних оптужби глумице Милене Радуловић да ју је наводно силовао човек од 70 година , са три бајпаса и извађеном простатом пре пет година

Иста персона је и обезбедила финансије за филм преко Беча а филм је требао да се бави животом Десанке Максимовић .
А сетите се и ко је иницирао да се Десанка Максимовић избаци из уџбеника и школства у Србији .

И тако уместо романсиране верзије Десанке Максимовић утицај Британаца

У Србији стави на пиједестал и да се Британци у Србији позитивно афирмишу како би се на тај начин усмерила будућност али и мењао ток историје .
Зато Мика са гнушањем и поносно одбија да снима такав филм тада и почиње хајка и претње која потиче из британских дипломатских кругова

Најгоре од свега што је то Мика Алексић изговорио у присуству високих дипломатских представника , а одговор је био да се све неће на томе завршити и да ће га то скупо коштати .
Нашта им је Мика рекао да је он свој живот проживео и да могу да му раде шта хоће и силно их извређао