ЁЯЪи ЁЯжо Seven ways to test for accessibility using only what is already in browser developer tools of Chromium browsers https://t.co/C7kdbigHGE

@MSEdgeDev @EdgeDevTools @ChromiumDev
#tools #accessibility #browsers
Also, a thread: ЁЯСЗЁЯП╝

Issues pane, powered by @webhintio, listing accessibility issues with explanations why these are problems, links to more info and direct links to the tools where to fix the problem. https://t.co/4K5RynHhbg
The inspect element overlay showing accessibility relevant information of the element, including contrast information, ARIA name, role and if it can be focused via keyboard.
Colour picker with contrast information offering colours that are AA/AAA compliant. You can also see compliant colours indicated by a line on the colour patch.
Note: the current algorithm fails to take font weight into consideration, that's why there will be a new one.
Vision deficit ("colour blindness") emulation. You can see what your product looks like for different visitors.
https://t.co/bxj1vySCAb
Rendering emulation. You can see what your product looks like in dark/light mode and you can turn on "reduced motion" to make sure that your animations only get experienced by those who want them.
Sneak preview: soon we'll also have high contrast simulation.
In the accessibility pane you can see what assistive technologies like screen readers will get to know about your product. https://t.co/5ntpUusgbH
Source order viewer shows the order of an element in the source tree. This can help you test if your CSS grid layouts don't cause confusion for screen reader users Thanks to @aardrian for requesting this at @webwewantfyi https://t.co/7F2uHyeM0a
That's just a few things that are already in there. What are you missing? What could be added or changed to be easier to use? Tell us @EdgeDevTools. :)

More from Internet

There are lots of problems with ad-tech:

* being spied on all the time means that the people of the 21st century are less able to be their authentic selves;

* any data that is collected and retained will eventually breach, creating untold harms;

1/


* data-collection enables for discriminatory business practices ("digital redlining");

* the huge, tangled hairball of adtech companies siphons lots (maybe even most) of the money that should go creators and media orgs; and

2/

* anti-adblock demands browsers and devices that thwart their owners' wishes, a capability that can be exploited for even more nefarious purposes;

That's all terrible, but it's also IRONIC, since it appears that, in addition to everything else, ad-tech is a fraud, a bezzle.

3/

Bezzle was John Kenneth Galbraith's term for "the magic interval when a confidence trickster knows he has the money he has appropriated but the victim does not yet understand that he has lost it." That is, a rotten log that has yet to be turned over.

4/

Bezzles unwind slowly, then all at once. We've had some important peeks under ad-tech's rotten log, and they're increasing in both intensity and velocity. If you follow @Chronotope, you've had a front-row seat to the

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IMPORTANCE, ADVANTAGES AND CHARACTERISTICS OF BHAGWAT PURAN

It was Ved Vyas who edited the eighteen thousand shlokas of Bhagwat. This book destroys all your sins. It has twelve parts which are like kalpvraksh.

In the first skandh, the importance of Vedvyas


and characters of Pandavas are described by the dialogues between Suutji and Shaunakji. Then there is the story of Parikshit.
Next there is a Brahm Narad dialogue describing the avtaar of Bhagwan. Then the characteristics of Puraan are mentioned.

It also discusses the evolution of universe.(
https://t.co/2aK1AZSC79 )

Next is the portrayal of Vidur and his dialogue with Maitreyji. Then there is a mention of Creation of universe by Brahma and the preachings of Sankhya by Kapil Muni.


In the next section we find the portrayal of Sati, Dhruv, Pruthu, and the story of ancient King, Bahirshi.
In the next section we find the character of King Priyavrat and his sons, different types of loks in this universe, and description of Narak. ( https://t.co/gmDTkLktKS )


In the sixth part we find the portrayal of Ajaamil ( https://t.co/LdVSSNspa2 ), Daksh and the birth of Marudgans( https://t.co/tecNidVckj )

In the seventh section we find the story of Prahlad and the description of Varnashram dharma. This section is based on karma vaasna.
рдкреНрд░рд╛рдЪреАрди рдХрд╛рд▓ рдореЗрдВ рдЧрд╛рдзрд┐ рдирд╛рдордХ рдПрдХ рд░рд╛рдЬрд╛ рдереЗредрдЙрдирдХреА рд╕рддреНрдпрд╡рддреА рдирд╛рдо рдХреА рдПрдХ рдкреБрддреНрд░реА рдереАредрд░рд╛рдЬрд╛ рдЧрд╛рдзрд┐ рдиреЗ рдЕрдкрдиреА рдкреБрддреНрд░реА рдХрд╛ рд╡рд┐рд╡рд╛рд╣ рдорд╣рд░реНрд╖рд┐ рднреГрдЧреБ рдХреЗ рдкреБрддреНрд░ рд╕реЗ рдХрд░рд╡рд╛ рджрд┐рдпрд╛редрдорд╣рд░реНрд╖рд┐ рднреГрдЧреБ рдЗрд╕ рд╡рд┐рд╡рд╛рд╣ рд╕реЗ рдмрд╣реБрдд рдкреНрд░рд╕рдиреНрди рд╣реБрдП рдФрд░ рдЙрдиреНрд╣реЛрдиреЗ рдЕрдкрдиреА рдкреБрддреНрд░рд╡рдзреБ рдХреЛ рдЖрд╢реАрд░реНрд╡рд╛рдж рджреЗрдХрд░ рдЙрд╕реЗ рдХреЛрдИ рднреА рд╡рд░ рдорд╛рдВрдЧрдиреЗ рдХреЛ рдХрд╣рд╛ред


рд╕рддреНрдпрд╡рддреА рдиреЗ рдорд╣рд░реНрд╖рд┐ рднреГрдЧреБ рд╕реЗ рдЕрдкрдиреЗ рддрдерд╛ рдЕрдкрдиреА рдорд╛рддрд╛ рдХреЗ рд▓рд┐рдП рдкреБрддреНрд░ рдХрд╛ рд╡рд░рджрд╛рди рдорд╛рдВрдЧрд╛редрдпреЗ рдЬрд╛рдирдХрд░ рдорд╣рд░реНрд╖рд┐ рднреГрдЧреБ рдиреЗ рдпрдЬреНрдЮ рдХрд┐рдпрд╛ рдФрд░ рддрддреНрдкрд╢реНрдЪрд╛рдд рд╕рддреНрдпрд╡рддреА рдФрд░ рдЙрд╕рдХреА рдорд╛рддрд╛ рдХреЛ рдЕрд▓рдЧ-рдЕрд▓рдЧ рдкреНрд░рдХрд╛рд░ рдХреЗ рджреЛ рдЪрд░реВ (рдпрдЬреНрдЮ рдХреЗ рд▓рд┐рдП рдкрдХрд╛рдпрд╛ рд╣реБрдЖ рдЕрдиреНрди) рджрд┐рдП рдФрд░ рдХрд╣рд╛ рдХрд┐ рдЛрддреБ рд╕реНрдирд╛рди рдХреЗ рдмрд╛рдж рддреБрдореНрд╣рд╛рд░реА рдорд╛рддрд╛ рдкреБрддреНрд░ рдХреА рдЗрдЪреНрдЫрд╛ рд▓реЗрдХрд░ рдкреАрдкрд▓ рдХрд╛ рдЖрд▓рд┐рдВрдЧрди...

...рдХрд░реЗрдВ рдФрд░ рддреБрдо рднреА рдкреБрддреНрд░ рдХреА рдЗрдЪреНрдЫрд╛ рд▓реЗрдХрд░ рдЧреВрд▓рд░ рд╡реГрдХреНрд╖ рдХрд╛ рдЖрд▓рд┐рдВрдЧрди рдХрд░рдирд╛ред рдЖрд▓рд┐рдВрдЧрди рдХрд░рдиреЗ рдХреЗ рдмрд╛рдж рдЪрд░реВ рдХрд╛ рд╕реЗрд╡рди рдХрд░рдирд╛, рдЗрд╕рд╕реЗ рддреБрдо рджреЛрдиреЛ рдХреЛ рдкреБрддреНрд░ рдкреНрд░рд╛рдкреНрддрд┐ рд╣реЛрдЧреАредрдкрд░рдВрддреБ рдорд╛рдВ рдмреЗрдЯреА рдХреЗ рдЪрд░реВ рдЖрдкрд╕ рдореЗрдВ рдмрджрд▓ рдЬрд╛рддреЗ рд╣реИрдВ рдФрд░ рдпреЗ рдорд╣рд░реНрд╖рд┐ рднреГрдЧреБ рдЕрдкрдиреА рджрд┐рд╡реНрдп рджреГрд╖реНрдЯрд┐ рд╕реЗ рджреЗрдЦ рд▓реЗрддреЗ рд╣реИрдВред

рднреГрдЧреБ рдЛрд╖рд┐ рд╕рддреНрдпрд╡рддреА рд╕реЗ рдХрд╣рддреЗ рд╣реИрдВ,"рдкреБрддреНрд░реА рддреБрдореНрд╣рд╛рд░рд╛ рдФрд░ рддреБрдореНрд╣рд╛рд░реА рдорд╛рддрд╛ рдиреЗ рдПрдХ рджреБрд╕рд░реЗ рдХреЗ рдЪрд░реВ рдЦрд╛ рд▓рд┐рдП рд╣реИрдВредрдЗрд╕ рдХрд╛рд░рдг рддреБрдореНрд╣рд╛рд░рд╛ рдкреБрддреНрд░ рдмреНрд░рд╛рд╣реНрдордг рд╣реЛрддреЗ рд╣реБрдП рднреА рдХреНрд╖рддреНрд░рд┐рдп рд╕рд╛ рдЖрдЪрд░рдг рдХрд░реЗрдЧрд╛ рдФрд░ рддреБрдореНрд╣рд╛рд░реА рдорд╛рддрд╛ рдХрд╛ рдкреБрддреНрд░ рдХреНрд╖рддреНрд░рд┐рдп рд╣реЛрдХрд░ рднреА рдмреНрд░рд╛рд╣реНрдордг рд╕рд╛ рдЖрдЪрд░рдг рдХрд░реЗрдЧрд╛ред"
рдЗрд╕ рдкрд░ рд╕рддреНрдпрд╡рддреА рдиреЗ рднреГрдЧреБ рдЛрд╖рд┐ рд╕реЗ рдмрдбрд╝реА рд╡рд┐рдирддреА рдХреАред


рд╕рддреНрдпрд╡рддреА рдиреЗ рдХрд╣рд╛,"рдореБрдЭреЗ рдЖрд╢реАрд░реНрд╡рд╛рдж рджреЗрдВ рдХрд┐ рдореЗрд░рд╛ рдкреБрддреНрд░ рдмреНрд░рд╛рд╣реНрдордг рд╕рд╛ рд╣реА рдЖрдЪрд░рдг рдХрд░реЗред"рддрдм рдорд╣рд░реНрд╖рд┐ рдиреЗ рдЙрд╕реЗ рдпреЗ рдЖрд╢реАрд░реНрд╡рд╛рдж рджреЗ рджрд┐рдпрд╛ рдХрд┐ рдЙрд╕рдХрд╛ рдкреБрддреНрд░ рдмреНрд░рд╛рд╣реНрдордг рд╕рд╛ рд╣реА рдЖрдЪрд░рдг рдХрд░реЗрдЧрд╛ рдХрд┐рдиреНрддреБ рдЙрд╕рдХрд╛ рдкреМрддреНрд░ рдХреНрд╖рддреНрд░рд┐рдпреЛрдВ рд╕рд╛ рд╡реНрдпрд╡рд╣рд╛рд░ рдХрд░реЗрдЧрд╛ред рд╕рддреНрдпрд╡рддреА рдХрд╛ рдПрдХ рдкреБрддреНрд░ рд╣реБрдЖ рдЬрд┐рд╕рдХрд╛ рдирд╛рдо рдЬрдореНрджрд╛рдЧреНрдирд┐ рдерд╛ рдЬреЛ рд╕рдкреНрдд рдЛрд╖рд┐рдпреЛрдВ рдореЗрдВ рд╕реЗ рдПрдХ рд╣реИрдВред