BC HISTORY
Saved by @Alex1Powell

Thread: William Leech (1881-1968) was an Irish painter. He was a Post Impressionist who painted light & colour. Unknown outside of Ireland his pictures are a delight for the eye.

 Born in Dublin into a professional Unionist family he went to the Metropolitan School & then the RHA Art School where he had the good luck to study under Walter Osborne. He left for France in 1901. (Images by Osborne)
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He spent time in France & was open to influences. Later Matisse & Derain were his lodestars. He was at the Académie Julian (the main studio for foreigners in Paris). He went on to Brittany (1903). Paris (1901), Beach, Dublin (c1906) & Concarneau (c1903) & Blue Nets (c1903)
Leech was back in Dublin in 1903. He tried as a society portrait painter but there was not the demand there. He was noted for his small plein air landscapes. He left for London (1910-14). Caves, Concarneau (c1910-3), Howth (c1909) & Playing by the Shore (c1910s) & Seascape (nd)
Based in London with his parents he regularly travelled to France. He was elected an RHA in 1910. Grasse (c1917), Midi Landscape (c1920s) & Barber Shop (c1909)
One of the highlights of Leech’s work are his snow scenes. Interior of a Cafe (c1909) & Snow Scene (c1912)
His Convent Garden (including his partner dressed as a novice) is considered his masterpiece. Convent Garden (c1913), Elizabeth (1910-12), Children on the Beach with Breakers (1912) & Girl with a Tinsel Scarf (c1912)
A particularly exciting part of his work are his series of aloe paintings which show his command of colour & light. The Sunshade (1913), Aloes (1914), Un Marin (1918) & Les Soeurs du Saint-Esprit (1912)
His portraits do not set out to flatter his subjects. For him light is always the main goal in his work. Three Children in a Summer Landscape (c1922), The Garden, Maida Vale, London (1920s), James Botterell (1926) & Aloes (1920s)
Another feature of his work is his painting of suburbia. These works, again, are his excuse to explore light as a kaleidoscope of colour. A Lawn (1930s), Regents Park, Summer (1937), The Pool of London (c1939) & Steps of the Cours (1930s)
Light in its reflection & refraction continued to be his key subject until his death. Reflections (c1930), Still Life with Tulips (c1930s), Bridge in Regents Park (c1930s) & Self-Portrait (nd)
A series of paintings of London landmarks was his response to WWII. His own studio was bombed out. St Giles, London (c1940s), The Norman Collonade, Christchurch Priory (c1949), Boats (c1940s) & Bowl of Fruit (c1944)
Haystack (c1945), The China Horse (c1945), The Terrace (c1940) & Refugee (c1947)
The ‘50s saw a turn towards domestic scenes. Tea Trolley (c1950s), Self-Portrait (1958), Window Sill (1950s) & Painting in the Garden(1950s)
As the years passed, his work remained the same. He was content to continue with a style first evinced in the 1920s. Grey Bridge, Regents Park, London (1950s), The Lake, Regents Park, London (1950s) & The Tea Tray (c1950-60s)
He died in 1968. Chloe Abbott (1965). Leech was an excellent painter, he may not have been ground breaking or evolutionary but his work is attractive & pleasant.
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Source : Maasir-i- Alamgiri


Page 53, Shikan khan, faujdar of mathura was sent to demolish a temple in malarna.

Page 55 - Aurangzeb ordered his officers to demolish the Kashi Vishvanath temple.


page 106 - Great temple of Kahndela at rajasthan was demolish by Darab khan and Tahawwar khan while a group of rajputs was executed by the mughal army.


Page 60 - The temple of Kesho rai was demolished on the order of aurangzeb and a mosque was built over there in the holy onth of ramzan.

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Page 108 - Gwalior, Aurangzeb ordered to issue the law of islam and to collect the jaziya from the infidels or non-muslims.
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THE BATTLE OF TALIKOTA and the destruction of Vijaynagar (Hampi)
26 January 1565

A tale of valor, deception and decimation.

A grim reminder that if we fail to protect our heritage, it will eventually crumble under the onslaught of "forces of anarchy".
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This decisive battle was fought between the Vijayanagara empire and the Deccan sultanates resulting in a rout of Vijayanagara and ending the last major medieval era Hindu kingdom in south India.(1)

The seeds of 1565 encounter were sown more than 250 years earlier when the forces of the Delhi Sultanate, during the time of Alauddin Khilji and later Md Bin Tughlaq swept through southern India in an expansion spree.(2)

By middle of the 14th century, facing rebellions, Tughlaq withdrew to Delhi, leaving behind 2 empires, Bahmani, which ruled the Deccan from Kalaburagi, and Vijayanagara, which ruled most south India with its capital at Vijayanagar.(3)

The Raichur Doab, between the Krishna and Tungabhadra rivers, existed as a natural boundary between these two kingdoms, with wars often breaking out over control of this territory.(4)
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Shahjahanpur was a hub of revolution during the freedom struggle. Most of the revolutioaries in the North, were from this town. And among them, the most famous were two friends, whom destiny would bring together- Ram Prasad Bismil and Ashfaqullah Khan.

Ashfaqullah Khan was born at the turn of the 20th century on October 22, while Bismil was born 3 years earlier on June 11, in the same town. Both of them were excellent writers in Urdu and Hindi.

Both of them would come together under the Hindustan Republican Association, not to mention the fact that Ashfaq was an admirer of Bismil’s poetry, and became close friends with him on that account.

And both these men were hanged on the same date, December 19, 1927 for their involvement in the Kakori event. Two men from different religions, different backgrounds, yet destiny would bring them together.
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There was no stigma around 1982 coup; Kenya was already sliding to the abyss. My fourth thread on Railaphobia in Kikuyuland. LONG THREAD, FREE TO DISCARD

As alluded to in a previous thread, Moi was very popular when he inherited the power from Jomo. He played an important historical role in dismantling Kikuyu hegemony that peaked at Kenyatta’s death. The whole nation supported him thinking it was all driven by national interest

Just that time he was very popular, he made a lot of decisions that laid the ground for his future dictatorship which he was cunningly planning for. Like civil servants’ union and university staff union were proscribed. This time, President's word was law and Moi took advantage

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We will likely never be able to establish with certainty the identity of the two Black men painted by Rembrandt. There are no documents found, linking the painting to individuals. But we can make a reasoned guess. #BlackHistoryMonth #day20 #rembrandt #identification


First there is the problem of the date. The inventory with a reference to 'two Moors in one painting' was drawn up in 1656 in what is now the @Rembrandthuis; however, the painting that hangs in the @Mauritshuis bears not only Rembrandt’s signature but also the year 1661.


Was the painting made in 1656 while Rembrandt was still living and working in Jodenbreestraat, and not signed and sold until 1661, when he had moved to the Jordaan district? The 1656 estate inventory suggests this.

On the other hand, it is of course possible that Rembrandt painted several pictures featuring two black men. Nevertheless, supposing that it is one and the same
painting, then we can assume that the two men
were in the studio in Jodenbreestraat to be portrayed in or before 1656.

Of course there still are dozens of candidates, since there was a small Black community in the area. However, it is striking, and exceptional, that two men are portrayed instead of one, as was customary in this genre.
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This New York Times feature shows China with a Gini Index of less than 30, which would make it more equal than Canada, France, or the Netherlands. https://t.co/g3Sv6DZTDE

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Once a goldsmith by the name of Narhari lived in Pandharpur. He excelled in his craft. He had vowed not to look at Pandurang or visit his mandir ever, as he was a Shiva Bhakt.
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He realised the truth that there was no difference between Vitthal and Shiva. Narhari at once fell at the feet of Panduranga. He then took the measurement of the waist of Vitthal and this time the ornament fit the Murti perfectly.

Narayan Hari🙏🏻
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क्या आप जानते हैं कि क्या है, पितृ पक्ष में कौवे को खाना देने के पीछे का वैज्ञानिक कारण!

श्राद्ध पक्ष में कौओं का बड़ा ही महत्व है। कहते है कौआ यम का प्रतीक है, यदि आपके हाथों दिया गया भोजन ग्रहण कर ले, तो ऐसा माना जाता है कि पितरों की कृपा आपके ऊपर है और वे आपसे ख़ुश है।


कुछ लोग कहते हैं की व्यक्ति मरकर सबसे पहले कौवे के रूप में जन्म लेता है और उसे खाना खिलाने से वह भोजन पितरों को मिलता है

शायद हम सबने अपने घर के किसी बड़े बुज़ुर्ग, किसी पंडित या ज्योतिषाचार्य से ये सुना होगा। वे अनगिनत किस्से सुनाएंगे, कहेंगे बड़े बुज़ुर्ग कह गए इसीलिए ऐसा करना

शायद ही हमें कोई इसके पीछे का वैज्ञानिक कारण बता सके।

हमारे ऋषि मुनि और पौराणिक काल में रहने वाले लोग मुर्ख नहीं थे! कभी सोचियेगा कौवों को पितृ पक्ष में खिलाई खीर हमारे पूर्वजों तक कैसे पहुंचेगी?

हमारे ऋषि मुनि विद्वान थे, वे जो बात करते या कहते थे उसके पीछे कोई न कोई वैज्ञानिक कारण छुपा होता था।

एक बहुत रोचक तथ्य है पितृ पक्ष, भादो( भाद्रपद) प्रकृति और काक के बीच।

एक बात जो कह सकते कि हम सब ने स्वतः उग आये पीपल या बरगद का पेड़/ पौधा किसी न किसी दीवार, पुरानी

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ज़रा सोचिये पीपल या बरगद की बीज कैसे पहुंचे होंगे वहाँ तक? इनके बीज इतने हल्के भी नहीं होते के हवा उन्हें उड़ाके ले जा सके।
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