How important are historians in achieving historical reconciliation? [THREAD] #History #historian #politics

Happy Friday! I'm @khowaga, and I'm talking about the social history of medicine and disease in #Egypt. Today's topic is the cholera of 1883. (1/19)

#tweetistorian #twitterstorians #histmed #epitwitter

It goes like this.

According to popular legend, Patient Zero of the 1883 cholera epidemic was a mason in his mid-forties named Ḥassan Nūr-al-Dīn, who lived in the port city of Damietta (34,000 people). (2/19)

Nūr-al-Dīn rarely traveled outside of Damietta, but on the morning of Thursday, June 21, he took the local train to the next major town upriver, Manṣūra (30,000 people) for a weekend trip. The next day, Friday, he began to feel unwell. (3/19)

After a fitful night, he went to the station to return home on Saturday. His condition deteriorated rapidly: on boarding the train he exhibited no symptoms, but by reaching the hamlet of Rās al-Khalīg, about an hour later, he had become violently ill. (4/19)

By the time the train arrived in Damietta, he was so weak that he had to be carried home from the station. He arrived at his house before sunset, died shortly before midnight and was buried promptly the next day, Sunday, June 24. (5/19)

Bharat: Advancement of earth’s earliest civilization

Glorious Vedic Architecture and Temple

Architecture in India was an extremely rich form of expression and highly developed science, with a deep heritage of spirituality in it. #FreeHinduTemple

The centre of all architectural development was the temple and temple or Mandir was the earthly home of God, and like the launching pad for the devotee’s consciousness to soar toward the Divine and the spiritual world.

The murti or deity of the Divine would be placed in the temple sanctum, around which all temple activity would revolve.

Such buildings were often elaborately decorated with stone, wood, plaster, etc. and carved or cut to depict the stories from the Puranas or other sacred texts

Temples were always the centre of religious, social and educational activities, practically more so in
ancient times than today.

During a span of more than two thousand years, various dynasties were known for constructing glorious temples,

some of which include the Mauryan, Ashoka, Gupta, Satavahana, Chedi, Chandella, Chalukya, Solanki, Pallava, Shola, Hoysala, Vijayanagar, and others.

Many of these temples remain beautiful architectural wonders today.

THE LAST PRINCESS OF LAHORE - BAMBA DULEEP SINGH (1869 - 1957)

Thread

Post partition, every morning a weak old woman would board the Model Town bus service headed to the city. The conductor never asked her for money or he would invite anger of the last Queen of Punjab.

1/n

Princess Bamba Sutherland, the eldest daughter of Maharaja Duleep Singh and grand-daughter of Maharaja Ranjit Singh, was born on Sep 29, 1869, in London.

Duleep Singh, the last Maharaja of Punjab was taken away to England by British after annexing Punjab.

2/n

Since he was still a child he was forcibly converted to Christianity and made to adopt British values in order to prevent him from ever thinking about regaining Punjab.

He was also kept away from his mother Maharani Jindan.
When he finally met his mother years later...

3/n

...he was told about his lost kingdom and religion after which he decided to reclaim it from British treachery.
During his struggle he married and had six children, 3 sons & 3 daughters from the 1st marriage.

Bamba was the most colorful character among 6 and was a rebel...
4/n

...like her father and daring like her Grandfather Ranjit Singh. She married Col Sutherland who later became principal of King Edward Medical College.

When she got permission to bring her grandmother Maharani Jindan's ashes to Lahore in 1924, she saw a huge crowd gathered...
5/n

The greatest treasure looted from the Ethiopian people at Maqdala in 1868 isn't in the BL or V&A. The Kwer'ata Re'esu, the most sacred icon of the Ethiopian people, was stolen by a representative of the Queen, later sold by his heirs & remains hidden in a bank vault today. 1/10

The original painting, by an unknown Renaissance master, was brought to Ethiopia in the 16th century and became the talismanic icon of the Ethiopian people, a symbol of Imperial authority. Oaths were sworn on it & it was carried into battle at the head of the Emperor’s army. 2/10

Copes of the Kwer'ata Re'esu icon are ubiquitous in early Ethiopian art - here is one painted in the so-called Second Gondarene style in a late 17th century manuscript. 3/10

Its importance to the Ethiopian people is incalculable. In 1744 it was captured in a battle with Sudanese Muslims & later returned on payment of a ransom. James Bruce, a visitor to Ethiopia in 1768, wrote: "all Gondar was drunk with joy" on the return of the "quarat rasou”. 4/10

After the Siege of Maqdala it was stolen from the Emperor Tewodros' palace by Sir Richard Rivington Holmes of the BM, later the Royal Librarian at Windsor Castle, who took the painting - not for the British Museum or the Royal Collection - but for his own private collection. 5/10