As it's #AppreciateADragonDay let's do some classic covers from Dragon magazine!

Are you writing a sci-fi or fantasy novel? Are you struggling to choose a title for it?

Well good news! I've just analysed the titles of 1,500 DAW sci-fi and fantasy novels, and I think I've found the secret!

Come with me...

11 months of Lockdown got me feeling like...

But once lockdown ends...

Mystery third meat alert!

Many readers have asked me "why do so many pulp covers feature women in ripped red blouses standing in swamps while a man fights off an unusual animal attack?"

The answer is artist Will Hulsey...

Will Hulsey was the undisputed king of the animal attack pulp cover. You name it, he'd paint it attacking you in a pool of stagnant water.

Very little is known about Will Hulsey, but he worked on a number of men's pulp magazines in the 1950s and early 1960s including Man's Life, True Men, Guilty, Trapped and Peril.

Their audience was ex-GIs: during WWII the US Council of Books in Wartime had given away over 122 million books to American servicemen to read; this led to a post-war surge in paperback and magazine sales amongst these newly enthusiastic readers.

As a result the 1950s saw a raft of men's pulp magazines being published to tap into this market - almost 200 different titles!

Now many readers have asked me over the years "how do I (with my great hair) go about fleeing a gothic house?"

That's a very good question, because it's not as easy as it seems...

There are of course many gothic domiciles that women with great hair can flee from:
- a house
- a mansion
- a castle
- a chateau

More adventurous gothic heroines can also choose to flee:
- a manor
- a keep
- a graveyard
- some dark foggy towers

As gothic houses come in all shapes and sizes you may come across the following things which require fleeing:
- Strangers (call a taxi)
- Tombs (walk to the nearest exit)
- Hell (fleeing recommended)
- Darkest Death (head start required)

There are some items that are a clear giveaway that you are in, or near, a gothic house that requires fleeing. Look around you and see if you can spot:
- sarcophagi
- crucibles (unless in a chemistry lab)
- anemones
- any form of ides

On 23 September 1984 the BBC broadcast the apocalypse: the story of nuclear war and its effects on the people of Sheffield. Filmed on a shoestring budget it still causes nightmares to this day.

This thread is not for the squeamish.

This the story of Threads...

In 1965 the BBC had filmed The War Game, a fictional docu-drama about a nuclear attack on Britain. However under pressure from the government the BBC withdrew it from screening. It was finally released in 1966 as a film in selected theatres.

For many years the withdrawal of The War Game had rankled many at the BBC. Surely it was a public broadcaster's duty to show the public what the reality of nuclear war would mean. Finally in 1982 they did so.

A Guide To Armageddon was a documentary for the BBC's peak-time science series Q.E.D. Produced by Mick Jackson it graphically depicted the effect of a one megaton explosion on London. It also explored how well people could survive such a blast if they were in a fallout shelter.

Jackson had carefully researched his subject and knew how under-prepared the UK was for nuclear war. The physical and psychological effects of atomic attack would catapult what was left of Britain back to a 14th century mode of living, a time when bubonic plague killed millions.

In the shadowy corners of the shortwave spectrum lurk the Numbers Stations: strange radio broadcasts of mysterious blocks of numbers in creepy monotone voices!

It's actually an old form of spycraft which is still in use today. And as it's #WorldRadioDay let's take a listen...

A Numbers Station is a type of one-way voice link for sending information to spies in foreign countries.

Operating on Short Wave radio bands they transmit a secret code of spoken numbers. Use of Numbers Stations peaked during the Cold War, but some are still operating today.

Numbers Stations are operated by various national intelligence agencies. At set times on a pre-arranged frequency a musical tone is played, followed by a speech synthesised voice reading out blocks of numbers. To most listeners it sounds both creepy and meaningless.

However to spies it can be vital. The numbers can be decoded to reveal a message, provided the spy has the right One Time Pad (OTP) - a random number key that is only used once before it is destroyed. OTP encryption is impossible to break if done correctly.

Why broadcast your secret message on Short Wave? Because it can be picked up across the globe. All a spy needs is a shop bought SW radio, a pencil, and the correct One Time Pad and they - and only they - can decipher the message. No complex kit is required.

I'm gonna do my other star wars thread tomorrow, which will primarily be me yelling at a @RowanKaiser-shaped strawman for calling the First Order and The Resistance "cosplayers who the rest of the galaxy has to deal with"

the deal w/the New Republic, the First Order, and the Resistance is very weird and complex and I actually take issue with how Story Group frames the actual conflict.

pre-TFA stuff is presented as a "cold war" between the New Republic and the remnants of the Empire that form the First Order, which 100% makes sense.

But they frame the First Order's attack on the Hosnian system and the subsequent battle that takes place across TFA and TLJ as a full on war when it's very clearly a coup. A war implies at least equal standing, but the First Order completely wrecks shop and takes over the galaxy.

ok never mind I'm fucking doing this now.

The First Order fleet we see in TLJ is *not* the entire fleet of the First Order (I don't even think Starkiller Base was their main base of operations honestly, it couldn't have been considering they were operating out of Wild Space)

I present to you all, my (possibly) superthread On how and why the Unknown God from Genshin Impact, and The Herrscher of Void/God Kiana/Sirin from Honkai Impact!

First off! We’ll start with the obvious things that constitute a possible connection.

They share the same Japanese Voice actress! Rie Kugimiya.
Usually this is a stretch reason, but considering everything else, it’s not unlikely that it’s the same character.

Secondly, their Appearances.
The both have very long white hair with identical bang style, and a very noticeable small piece of hair on top that curls upwards. That’s a defining part Of all of Kiana’s hairstyles, and for it to be shared with this god says something.

Another notable thing is their eyes. They both have Glowing golden eyes with very similar appearances. They contain a ring, and a 4-point star pupil. Resemblant of a scope if you will. That’s The Herrscher of Void’s defining characteristic

If you’d even like to take a look at their outfits, there’s resemblances including the black fur collar, the designs on the torso and chest, and the use of something similar to coat tails/skirt. The Herrscher can change their outfit and they aren’t stuck with one. Sirin does this

Today’s game supplement is Death in Freeport (2000) from Green Ronin Publishing. I haven’t really featured my own work on #CuratedQuarantine to date but it is relevant to the d20 story.

D&D 3E, which I talked about yesterday, was released with two attached licenses: the Open Game License and the d20 System Trademark License. #CuratedQuarantine

The basic idea was to give other publishers a legal way to release D&D compatible material and to be able to indicate that with a special d20 System logo. This would eliminate a lot of legal headaches that TSR and then WotC had to deal with. #CuratedQuarantine

It was also hoped that certain types of support books that WotC had difficulty selling in large numbers—short adventures in particular—could be taken up by third party companies. I remember the work meeting where all this was pitched to the staff. #CuratedQuarantine

WotC was too big to be agile, it was argued, so let other companies provide support material. The more people kept playing D&D, the more WotC would benefit. #CuratedQuarantine

1/I'm excited that Dr. @AjayManhapra is presenting on concerns about mandatory opioid taper for VA's MAT-VA journal club, based on our shared paper... he notes Human costs of mandatory and widespread opioid taper

2/He cites @BethDarnall as the best available study, noting that even when one offers the best support system, a significant % of patients do not have a reduction in pain or pain worsens.

3/In a way that will seem controversial, he proposes that opioid therapy is not exactly an analgesic. This is daily use of an addictive substance that offers relief, where only a minority develop addiction.

4/I should caution that @AjayManhapra is far from a "fan" of opioids for pain. Many people on them do not get benefit, he says. My reading of same data is more favorably disposed, even though we collaborate

5/There is an "opponent effect" so that relief from opioids is also opposed - not in all people and to the same degree - but this is part of the dependence dilemma for some persons at high dose