But look a bit closer, it appears intentionally bad.
1. This beautiful and thought provoking piece of 21st century art was shared widely in anti-EU Facebook groups, Twitter replies to journalists and elsewhere online, in 2016.
Is it an untrackable, untraceable, Cambridge Analytica-style, fake?
But look a bit closer, it appears intentionally bad.
Literate enough to spell “Sovereignty” correctly.
Cambridge Analytica boasted on hidden camera that they created “untraceable, untrackable” social media themes, memes and propaganda that spread.
“We put the information into the bloodstream of the internet and watch it grow.
Give it a little push.
This stuff infiltrates the online community and expands.
With no branding.
So it’s unattributable, untrackable"
It’s impossible to find out unless you work at Facebook or Google.
But there are some strange clues.
TinEye reverse image search shows that it was first saved by their web crawler in 2016.
A few days before the EU referendum in the UK.
With the username “niteoflight”.
Note the strange spelling and grammar; ‘re_election'
(A table of Johnny's most shared accounts on Twitter)
Unusually for a pro-Brexit British man named Johnny, he often used “Beeter”.
An obscure Japanese Twitter app, to Tweet.
But probably just a random weird guy, from the UK?
Who can’t really speak English.
Who likes Russian government TV more than any other news outlet.
Who uses a defunct, obscure Japanese language Twitter app, to post to Twitter.
But searching back further, the earliest example of this meme that we could find was not on Google, Twitter or Facebook.
The first evidence of it anywhere online, is from a guy called “Martin Corner”. Who posted the meme on Russian Facebook (VK), on the 3rd of June 2016.
The people who liked the 40 YEARS EU RULE post on VK purport to be English neo-Nazis and fascists, if their posts on VK are to be believed.
He loves Hitler and IKEA candles.
But hates the EU.
Who’d have thought.
Seeded it online via various “independent” groups and activists, who spread it so that it multiplied across social media without being tracked back to the creators.
More from Brexit
A further thread on the EU/UK musicians/visa for paid work issue (the issue is paid work: travelling to sing or play at eg a charity event for free can be done without a visa).
The position that we now have now (no relevant provisions under the TCA) is complicated. For EU musicians visiting the UK see
In essence the UK permits foreign (including EU) nationals to stay up to 30 days to carry out paid engagements, but they must (a) prove they are a professional musician and (b) be invited by an established UK business.
Either condition could be tricky for a young musician starting out and wanting to play gigs. And 30 days isn’t long enough for a part in a show with a run.
Longer stays require a T5 visa - which generally requires you to be in a shortage occupation (play an instrument not played in the UK?) or to have an established international reputation.
Disgraceful and shabby if true: not only ideologically blinkered, but ashamed to admit its ideological blinkers and their consequences. https://t.co/7PgOEogTlA
— George Peretz QC (@GeorgePeretzQC) January 9, 2021
The position that we now have now (no relevant provisions under the TCA) is complicated. For EU musicians visiting the UK see
See here a summary of what is permitted from U.K. POV. https://t.co/HkdRlubySr
— Luke Piper (@Pipermigration) January 10, 2021
In essence the UK permits foreign (including EU) nationals to stay up to 30 days to carry out paid engagements, but they must (a) prove they are a professional musician and (b) be invited by an established UK business.
Either condition could be tricky for a young musician starting out and wanting to play gigs. And 30 days isn’t long enough for a part in a show with a run.
Longer stays require a T5 visa - which generally requires you to be in a shortage occupation (play an instrument not played in the UK?) or to have an established international reputation.