“Adebiyi, Manga, Oyegoke,” he called out to his sergeants who were of the NMTC.
HOW THE AREWA HOUSE WAS BURNT DOWN IN 1966
“Hands up, turn around, and face the wall,” Nzeogwu ordered, raising his gun. One of them quickly complied but the three others were defiant. “Kpruuuuuu, kpruuuuuu, kpruuuuuu.”
#Thread
“Adebiyi, Manga, Oyegoke,” he called out to his sergeants who were of the NMTC.
But they fired timidly without hitting the main target nor giving the noise Nzeogwu wanted. Sensing danger, Adebiyi got down quickly to help Manga to reload while Oyegoke who didn’t shoot at all was twitching with his weapon.
As Oyegoke sighted Nzeogwu coming towards them with his SMG, he made a quick dash for the dark.
“Adebiyi, take over Oyegoke's gun,” Nzeogwu ordered. “And keep firing at the damn building,” he screamed.
As the shooting was going on, a police patrol who had sighted the mutineers converging ominously in front of the Premier’s Lodge radioed the British Police officer on duty at the Kaduna Police Operations room who in turn...
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🌿𝑻𝒉𝒆 𝒔𝒕𝒐𝒓𝒚 𝒐𝒇 𝒂 𝑺𝒕𝒂𝒓 : 𝑫𝒉𝒓𝒖𝒗𝒂 & 𝑽𝒊𝒔𝒉𝒏𝒖
Once upon a time there was a Raja named Uttānapāda born of Svayambhuva Manu,1st man on earth.He had 2 beautiful wives - Suniti & Suruchi & two sons were born of them Dhruva & Uttama respectively.
#talesofkrishna https://t.co/E85MTPkF9W
Now Suniti was the daughter of a tribal chief while Suruchi was the daughter of a rich king. Hence Suruchi was always favored the most by Raja while Suniti was ignored. But while Suniti was gentle & kind hearted by nature Suruchi was venomous inside.
#KrishnaLeela
The story is of a time when ideally the eldest son of the king becomes the heir to the throne. Hence the sinhasan of the Raja belonged to Dhruva.This is why Suruchi who was the 2nd wife nourished poison in her heart for Dhruva as she knew her son will never get the throne.
One day when Dhruva was just 5 years old he went on to sit on his father's lap. Suruchi, the jealous queen, got enraged and shoved him away from Raja as she never wanted Raja to shower Dhruva with his fatherly affection.
Dhruva protested questioning his step mother "why can't i sit on my own father's lap?" A furious Suruchi berated him saying "only God can allow him that privilege. Go ask him"
Once upon a time there was a Raja named Uttānapāda born of Svayambhuva Manu,1st man on earth.He had 2 beautiful wives - Suniti & Suruchi & two sons were born of them Dhruva & Uttama respectively.
#talesofkrishna https://t.co/E85MTPkF9W
Prabhu says i reside in the heart of my bhakt.
— Right Singh (@rightwingchora) December 21, 2020
Guess the event. pic.twitter.com/yFUmbfe5KL
Now Suniti was the daughter of a tribal chief while Suruchi was the daughter of a rich king. Hence Suruchi was always favored the most by Raja while Suniti was ignored. But while Suniti was gentle & kind hearted by nature Suruchi was venomous inside.
#KrishnaLeela
The story is of a time when ideally the eldest son of the king becomes the heir to the throne. Hence the sinhasan of the Raja belonged to Dhruva.This is why Suruchi who was the 2nd wife nourished poison in her heart for Dhruva as she knew her son will never get the throne.
One day when Dhruva was just 5 years old he went on to sit on his father's lap. Suruchi, the jealous queen, got enraged and shoved him away from Raja as she never wanted Raja to shower Dhruva with his fatherly affection.
Dhruva protested questioning his step mother "why can't i sit on my own father's lap?" A furious Suruchi berated him saying "only God can allow him that privilege. Go ask him"
I want to talk about the key textual elements you might find in an Islamic manuscript. I'll focus on this manuscript, roughly 18th century, of an Arabic history of the rulers of Egypt called Nuzhat al-nāẓirīn, by Marʻī al-Karmī (d. 1623/4).
Budeiry Library (Jerusalem) MS 593 -jm
These texts have many elements designed to help the reader understand what they're saying, and choices by the scribe who copied the manuscript often help as well. Let's see what's here. -jm
First, almost every Islamic text begins with the invocation "in the name of God, the compassionate, the merciful." The wording is never changed, and it's always in Arabic, no matter what language the text is, although you might add phrases like "and we ask God for help." -jm
Christians were able to do more experimentation with their invocations, as you can see from the examples here. https://t.co/wEPWRitCWA -jm
After the invocation (basmalah), you might have what this text has, which is an introduction of the author in the form "the poor slave of God [so-and-so] said..." often followed by a quick prayer for the author. -jm
Budeiry Library (Jerusalem) MS 593 -jm
These texts have many elements designed to help the reader understand what they're saying, and choices by the scribe who copied the manuscript often help as well. Let's see what's here. -jm
First, almost every Islamic text begins with the invocation "in the name of God, the compassionate, the merciful." The wording is never changed, and it's always in Arabic, no matter what language the text is, although you might add phrases like "and we ask God for help." -jm
Christians were able to do more experimentation with their invocations, as you can see from the examples here. https://t.co/wEPWRitCWA -jm
These little prayers are fun pic.twitter.com/hJYk2M01bO
— Josh Mugler (@J_mugs) February 16, 2019
After the invocation (basmalah), you might have what this text has, which is an introduction of the author in the form "the poor slave of God [so-and-so] said..." often followed by a quick prayer for the author. -jm
