Prasanna Venkatesa Perumal #temple -Gunaseelam,Near Trichy,TN #Thread

Gunaseela Mahatmyam,a chapter of Bhavishyottara Purana describes greatness of this place.

Venkatachlapathi of Tirumala Tirupati appeared b4 Gunaseela Rishi here,so Gunaseelam is known as Ten(South)Tirupati

A #story from #Thiruvilayadal puranam-one of divine leelas of Bhagwan Shiva

#threadseries #Madurai

Story 9- it about how Shiva as Sundara Pandyan confluenced seven oceans in a pond/well in Madurai to fulfill wish of Kanchanamala
ஏழுகடல் அழைத்த படலம்

Bhagwan Shiva himself ruled Pandya Kingdom as Sundara Pandyan.Kingdom flourished well,all people there were happy.Many scholers,rishis visited Pandya kingdom to see Sundareswarar.Once Gouthama Rishi visited Madurai.After worshipping Sundareswarar,he went to meet Kanchanamala.

Kanchanamala,mother of Meenakshi devi welcomed Rishi Gouthama with all devotion&they were discussing about various things.She asked about ways& means to get rid of cycle of birth& re-birth.Gouthama rishi told her to be very fortunate&had done great penance in her previous births.

As a result, she has got Meenakshi devi as her daughter & Sundareswarar as her son-in-law in this birth.Rishi then told there are 3 types of Penance -namely Maanatham,Vaasikam & Kaayikam
Maanatham -involves doing charity,speaking truth,controlling senses&meditating Shiva namam.

Vaasikam -chanting Panchakshara matra-Om Na Ma Shi Va Ya,mantras from vedas, singing devotional songs/bhajans.

Kaayikam- doing daily pooja,going to temples,punya shetrams, helping physically in renovation &construction of temples,taking snan in ocean as all rivers merge there.

Krishna & Paarijaata apaharana #sculpture #story #Thread

Parijata tree was in Indraloka which was one of gifts he received from churning of Ocean to obtain Amrit.

This beautiful #sculpture depicts Indra Dev chasing Shri Krishna for stealing parijatha tree branch from Indralok

📸- sculpture on outer walls of Hoysaleswara temple, Halebeedu,Karnataka

Krishna has 4hands with Shankha,Chakra,Mace&Lotus holding Satyabhama tightly,mounted on Garuda. Garuda has a beautifully carved Parijata tree trunk in left hand& a weapon in his right hand, attacking Indra.

Other side is Indra,riding on Airavata.Indra can be seen attacking Krishna with his Vajrayutham.Airavata is charging towards Garuda.Wife of Indra can be seen in pillion seat.Just look at the Detailing of Garuda & Airavat sculptures.

So what led Krishna to steal parijatha tree👇

Narada Rishi once returning from Indralok collected few Parijatha flowers&reached Dwaraka.There he met Bhagwan Krishna&gave the heavenly flowers to him.Narada explained the greatness of Parijatha flowers & also said that these flowers must be given to the most loved ones.

Despite knowing Satyabhama’s anger,Krishna gave it to Rukmani Devi.Narada Rishi then went to palace of Satyabhama. He narrated whole incident that had happened.Satyabhama turned furious on hearing that Krishna gave Parijatha to Rukmini.Then Satyabhama shows her anger to Krishna.

Kolaru Pathigam-Thevaram hymn composed by ThiruGnana Sambandar- #Thread

In Tamil Kol means planets,Aru means cut- set of songs in Kolaru Pathigam addresses all Navagrahas& last 2 lines of every song with end a plea to Bhagwan Shiva to reduce/erase the ill effects of Navagrahas

கோளறு பதிகம் - This pathigam was sung by Thirugnana Sambandar at Thirumaraikadu Kshetram -Vedaranyam,Tamilnadu

Thirugnana Sambandar & Appar(Thirunavukkarasar) travelled together to various Shiva Alayam to spread shivam & bhakti among people.They both reached Thirumaraikadu.

Thirumaraikadu(Vedaranyam) -
Appar & Sambandar were asked to enter the temple through side entrance.The main door was locked by Vedas many years ago.Appar&Sambandar sang devotional hymns praising Shiva, after which the gates opened & closed.After which main door opened for all.

After darshan of Bhagwan Shiva at Thirumaraikkadu,Sambandar received a message to travel to Madurai.
During that time, Samanam was on the rise in the Pandya Kingdom.The Pandya King converted to Samanam.The Queen Mangaiyarkkarasi was a staunch Shiva devotee and was upset.

Kularchirai Nayanar ,Chief Minister of Pandya kingdom was in agony by the turn of events.Queen requested Kulachirai Nayanar to escort Thiru gnana Sambandar to Madurai.Kularchirai Nayanar met Thiru gnana Sambandar at Thirumaraikkadu & requested him to visit Madurai.

One key element of the Islamic intellectual tradition is the commentary. Commentaries on the Qurʼan (tafsīr) began early in Islamic history, but from about the 12th or 13th century, well into the 19th, commentaries on other scholarly texts became extremely common. -jm

Usually a commentary is called a sharḥ, and a supercommentary (i.e. a commentary on a commentary) is called a ḥāshiyah. Sometimes you get all the way up to a fourth- or fifth-level supercommentary. -jm

Sometimes it's hard to even tell what the "core text" is, because even a very famous text that's the core of many commentaries might present itself as an abridgement or comment on something even earlier. -jm

Commentaries might serve multiple purposes: to explain obscure grammar or vocabulary, to dig into particular legal cases, etc. Even to show why the core text is wrong. Eventually you get some Ottoman Turkish commentaries that translate Persian poems and then comment on them. -jm

Authors of commentaries often mark quotes from the core text by key words like "qawluhu" ("what he said") and manuscripts often emphasize this by writing these words in red or putting a line over the quoted text, so you can figure out who is talking. -jm

#SanathanaDharma

Dear Friends, a few points to share regarding the Varna Ashrama Dharma.

Vested interests take advantage of our lack of awareness of this particular Dharma and project it as discriminatory.

1

More often than not, our own people give defensive replies to the accusations.

For example, when someone says "Hinduism is the worst religion as it discriminates based on birth" many of us reply like say "Isn't it there in faith Y?" or "It's based on profession" & such.

2

Varnashrama Dharma cannot be interpreted in isolation i.e. one has to understand & accept (at least) what the following mean to understand it in full:

1. Paramathma & Jivathma Thathvam
2. Karma-based Jananam, life events & Maranam
3. Narakam, Swargam & Moksham

3

The primary purpose of everyone's birth is to get out of the cycle of birth-death so that we can eternally serve Bhagawan and His Adiyaars.

Where has it ever been said that only Archakas & Yagnyopaveethadhaaris can get Gnanam & reach Moksham?? All are most welcome!!

4

Every Jivathma has been through loads & loads of janmas and has taken loads & loads of Karmic shareerams.

So, one being a Brahmana or Shudra in this birth doesn't mean anything. The same Jiva could've been a tree / animal in previous birth or may become one in the next!!

5

NĀRADA & HIS BHAKTI-SŪTRAS :
Bhakti – Love Divine :-
Of Love Divine (Sūtra 1 to 6)

All our philosophical textbooks are written out by the great 'rishis' and 'thinkers' in the form of sūtras.
The term, ‘sūtra’, means ‘string’ – the string on which the arguments &
#Thread

thoughts are strung together to become an enchanting garland of ideas.
This is the philosophy of devotion, of love for 'Paramatma' stands today attributed to the Devarṣi Nārada.
He works everywhere as friend, philosopher and guide, to all devotees.
Let's begin the journey !

NĀRADA & HIS BHAKTI-SŪTRAS :
Bhakti – Love Divine :-
Of Love Divine (Sūtra 1 to 6)

Sūtra 1
अथातो भक्तिं व्याख्यास्यामः॥ १॥
Now, the doctrine of devotion we shall expound.
After having developed all the qualifications necessary for the practice of devotion (atha), the student

feels no spiritual satisfaction, and therefore (ataḥ), he must now diligently walk the path of devotion. According to Rāmānuja, the teacher of viśiṣṭādvaita, there are seven qualifications necessary in a seeker who plans to pursue devotion. They are:

(1) Discrimination in food (viveka), (2) Freedom from desire (vimukha), (3) Practice (abhyāsa), (4) Habit of doing good to others (kriyā), (5) Purity in thought, word and deed, non-violence, charity, and such other virtues (kalyāṇa), (6) Cheerfulness (anavasāda), and (7) Absence

Animal Sacrifice in Yajñas

Read this thread to know how animal sacrifice got started in Yajñas and what Rishis thought about it.

Once Upon a time, Great and Powerful Indra decided to do Yajña, there were large scale preparations, Rishis were chanting mantras, then Indra decided to SIay animals there

Rishis stopped him, Rishis clearly told him that There is NO mention of K!lling animals in Yajñas in shastras,

K!lling animals in Yajñas is against Dharma, hence please allow Brahmins to perform it according to shastras

Rishis said, Yajña must be done with seeds, this is what Dharma says.
But Imdra had a Big ego, he refused to follow Dharma

So they went to King Vasu and asked him, who is correct, King lied that you can do yajña with anything, because if this he was punished.

(Mahabharata AshwamedhikaParva adhyay 91)

Ever heard of a temple where the statue of the Goddess was found in a field in 1936 after spending almost a millenia under the soil?And is worshipped as the Tri-Sakthi-Swaroopini?
No?
I shall narrate the story of Nidadavole Kota Satthema temple in West Godavari district, Andhra

Nidadavole is a sleepy little town in the district of West Godavari, located a few kilometres from the Godavari. Among other things, it is famous for its Gramadevatha and Kshetrapalika, the Goddess Kota Satthema

In the tenth century, Nidadavole was known as Nirvadhyapuram, and was under the rule of the Eastern Chalukyas. They were nominal feudatories of the Kakatiyas of Warangal. The local Sthalapurana indicates that the original temple was built by one king called Virabhadra.

This Virabhadra has been identified as the husband and royal regent of the Kakatiya Empress, Rani Rudramadevi who ruled Central Deccan during the period. The original stone figure of the Goddess was built within a fort during his reign.

The goddess was worshipped as the Shakti of the Fort. Over time the name entered the vernacular parlance as Kota (the telugu word for Fort) and Satthema (a local vulgarisation of the word Shakti).