Okay, do y'all know what "Home Children" are? 🙋‍♂️

I'm a 🇨🇦 history nerd, and literally had no idea what this was until this morning.

It turns out it's a weird and twisted part of history, 🇨🇦 plays an active role in hiding.

🧵👇

A thread on Wallelign Mekonnen’s 1969 essay “On the Question of Nationalities in Ethiopia” - which catalyzed the student movement that overthrew Ethiopia’s Solomonic dynasty in 1974 (Wallelign was killed in 1972 while hijacking an Ethiopian airlines plane) https://t.co/Ol0ElagLJq

Wallelign wrote that, while some call the question of nationalities "tribalism" - it is in fact "nationalism." Ethiopia is not one nation, he wrote, “it is made up of a dozen nationalities with their own languages, ways of dressing, social organization and territorial entity.”

Culture is nothing more than the superstructure of an economic basis that presupposes subjugation of the peasantry and proletariat. To be a “genuine Ethiopian” one has to speak Amharic and adhere to their culture. One must “wear an Amhara mask”- to use Frantz Fanon's terminology.

A common refute to the Neftegna system, whereby Abyssinian elites took lands from southern peoples, was that there are Amhara and Tigray masses in poverty. Another centred on representational politics. In reality, the feudal system oppressed all, but some groups more than others.

While Abyssinians are not dominant because of inherent imperialist tendencies, this is no excuse to perpetuate this situation. The only way forward is a state where every nationality is given equal opportunity to preserve and develop its language, culture and self-administration.

A Thanksgiving story to warm your pluralistic hearts:

It was the early 1990s, the days before Washington DC had meters in taxis. A famine was raging in Somalia. And I was working in my first job out of college: a brief stint working for an organization that focused on the Middle East peace process.

I was heading to my parents’ house. I was standing in front of a mailbox near my office. I was holding a stack of papers with Hebrew writing on them. I hailed a cab.

I was aware that on the mailbox behind me was a large sign from People for the Ethical Treatment of Animals with an image of a turkey and the words: “Thanksgiving is Murder on Turkeys.”

It was the period right around Thanksgiving.

A cab pulled up, and I got in the front seat—because in the days before metered cabs in DC, drivers were allowed to pick up more than one fare, and someone else was already occupying the back seat.

We will likely never be able to establish with certainty the identity of the two Black men painted by Rembrandt. There are no documents found, linking the painting to individuals. But we can make a reasoned guess. #BlackHistoryMonth #day20 #rembrandt #identification

First there is the problem of the date. The inventory with a reference to 'two Moors in one painting' was drawn up in 1656 in what is now the @Rembrandthuis; however, the painting that hangs in the @Mauritshuis bears not only Rembrandt’s signature but also the year 1661.

Was the painting made in 1656 while Rembrandt was still living and working in Jodenbreestraat, and not signed and sold until 1661, when he had moved to the Jordaan district? The 1656 estate inventory suggests this.

On the other hand, it is of course possible that Rembrandt painted several pictures featuring two black men. Nevertheless, supposing that it is one and the same
painting, then we can assume that the two men
were in the studio in Jodenbreestraat to be portrayed in or before 1656.

Of course there still are dozens of candidates, since there was a small Black community in the area. However, it is striking, and exceptional, that two men are portrayed instead of one, as was customary in this genre.

Here I share what I witnessed about the uproar concerning the remarks of Rajinikanth on Periyar.The new film 'Darbar' by Rajinikanth washed out in Hindi, but that does not mean that on Twitter or national politics he can not trend. The new uproar is over his remarks at the .

50th anniversary celebration of Thuglaq, a Tamil political newspaper, about Periyar E. V. Ramaswamy.Referring to how Thuglak wrote about the intellectual patriarch of Tamil Nadu political parties such as DMK (Dravida Munnetra Kazhagam) and AIADMK (All India Anna Dravida Munnetra

Kazhagam), Rajinikanth, who floated his own political party, when he organised a rally in Salem in 1971 where Hindu holy deities were allegedly displayed in a lewd way.This is how the actor mentioned the incident at the Thuglak event when he was speaking:
"In 1971, in Salem,

Periyar organised a rally featuring the undressed images of Lord Sriramachandramoorthy and Sita with a sandal garland. No other source wrote something about the protest, but Cho printed it on the front page of the paper and denounced it vehemently.Because of the publicity, the

ruling DMK government at the time got a bad reputation. DMK confiscated these copies of Thuglaq because they did not want others to hear about the protest."Many Dravidian groups staged protests and filed complaints with the police against Rajinikanth saying he "insulted Periyar."