visit to her hometown. Who is to say that the wisdom of Chinese cannot compete with the Westerners?”
TIL:
- first Western detective stories translated & published in Japan in *1863*--that's pre-Meiji, even!
- first Chinese-written detective stories featuring Western-style detectives starred women as both detectives and criminals were published in 1907--author Lü Simian (!).
visit to her hometown. Who is to say that the wisdom of Chinese cannot compete with the Westerners?”
But when things get really interesting (for me, anyhow) is when Huo Sang--Holmes--meets Sun Liaohong's gentleman thief Lu Pin ("the Oriental Arsene Lupin").
Lu Ping, much more than Lupin, becomes an instrument of justice and flouts the law.
So Huo Sang-v-Lu Ping becomes a commentary on classical British detective fiction versus 1920s/1930s USian det. fiction.
Huo Sang-v-Lu Ping shows us what that confrontation is like --not so great for Huo Sang.
More from History
Thank you so much to the incredible @gregjenner and his team for having me on "You're Dead to Me" and to @kaekurd for being so hilarious and bringing Gilgamesh the restaurant into my life!
Here’s a thread of some of the stuff referenced in the podcast for those interested
First of all, what even is cuneiform?
It’s a writing system from the ancient Middle East, used to write several languages like Sumerian and Akkadian. Cuneiform signs can stand for whole words or syllables. Here’s a little primer of its evolution https://t.co/7CVjLCHwkS
What kinds of texts was cuneiform used to write?
Initially, accounting records and lists.
Eventually, literature, astronomy, medicine, maps, architectural plans, omens, letters, contracts, law collections, and more.
Texts from the Library of Ashurbanipal, who ruled the ancient Assyrian empire when it was at its largest in the 7th century BCE, represent many of the genres of cuneiform texts and scholarship.
Here’s a short intro to the library via @opencuneiform https://t.co/wjnaxpMRrC
The Library of Ashurbanipal has a complicated modern and ancient history, which you can read about in this brilliant (and open access) book by Prof @Eleanor_Robson
Here’s a thread of some of the stuff referenced in the podcast for those interested
First of all, what even is cuneiform?
It’s a writing system from the ancient Middle East, used to write several languages like Sumerian and Akkadian. Cuneiform signs can stand for whole words or syllables. Here’s a little primer of its evolution https://t.co/7CVjLCHwkS
What kinds of texts was cuneiform used to write?
Initially, accounting records and lists.
Eventually, literature, astronomy, medicine, maps, architectural plans, omens, letters, contracts, law collections, and more.
Texts from the Library of Ashurbanipal, who ruled the ancient Assyrian empire when it was at its largest in the 7th century BCE, represent many of the genres of cuneiform texts and scholarship.
Here’s a short intro to the library via @opencuneiform https://t.co/wjnaxpMRrC
The Library of Ashurbanipal has a complicated modern and ancient history, which you can read about in this brilliant (and open access) book by Prof @Eleanor_Robson
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A brief analysis and comparison of the CSS for Twitter's PWA vs Twitter's legacy desktop website. The difference is dramatic and I'll touch on some reasons why.
Legacy site *downloads* ~630 KB CSS per theme and writing direction.
6,769 rules
9,252 selectors
16.7k declarations
3,370 unique declarations
44 media queries
36 unique colors
50 unique background colors
46 unique font sizes
39 unique z-indices
https://t.co/qyl4Bt1i5x
PWA *incrementally generates* ~30 KB CSS that handles all themes and writing directions.
735 rules
740 selectors
757 declarations
730 unique declarations
0 media queries
11 unique colors
32 unique background colors
15 unique font sizes
7 unique z-indices
https://t.co/w7oNG5KUkJ
The legacy site's CSS is what happens when hundreds of people directly write CSS over many years. Specificity wars, redundancy, a house of cards that can't be fixed. The result is extremely inefficient and error-prone styling that punishes users and developers.
The PWA's CSS is generated on-demand by a JS framework that manages styles and outputs "atomic CSS". The framework can enforce strict constraints and perform optimisations, which is why the CSS is so much smaller and safer. Style conflicts and unbounded CSS growth are avoided.
Legacy site *downloads* ~630 KB CSS per theme and writing direction.
6,769 rules
9,252 selectors
16.7k declarations
3,370 unique declarations
44 media queries
36 unique colors
50 unique background colors
46 unique font sizes
39 unique z-indices
https://t.co/qyl4Bt1i5x
PWA *incrementally generates* ~30 KB CSS that handles all themes and writing directions.
735 rules
740 selectors
757 declarations
730 unique declarations
0 media queries
11 unique colors
32 unique background colors
15 unique font sizes
7 unique z-indices
https://t.co/w7oNG5KUkJ
The legacy site's CSS is what happens when hundreds of people directly write CSS over many years. Specificity wars, redundancy, a house of cards that can't be fixed. The result is extremely inefficient and error-prone styling that punishes users and developers.
The PWA's CSS is generated on-demand by a JS framework that manages styles and outputs "atomic CSS". The framework can enforce strict constraints and perform optimisations, which is why the CSS is so much smaller and safer. Style conflicts and unbounded CSS growth are avoided.