Yes, you are right on the number.... they, including Regeneron, pay this Murray guy now for instance to make sure not to utter a word about niacin

https://t.co/d58DAM88q1

The Creative Process in 43 Hayao Miyazaki Screengrabs

(Context: https://t.co/nqjmAtLAND)

[42c] I’M CALLING IT ANONS.

I'M CALLING THE DEATH OF QUEEN ELIZABETH II ON 12/27/2020

THREAD POSTED ON DECEMBER 14, 2020

DECEMBER 14, DEC 1+4, D5.

PART ##4 CHESS 4D
PART ##5 CHESS 5D

d4.d5 FaLL of THE QUEEN

[13] DAYS TO PROVE ME WRONG

One fascist to watch in 2021 is Joseph Charles "Oakman" Golinske of SE MI. He's been a Proud Boy for a couple years, but took a break recently from the group and promotes himself through the "Oak Nation" channel on Telegram.

Most people may be familiar with him as the tall guy in the Proud Boys bridge shot, from their August 17, 2019 attack on Portland, which featured an American Guard bus trying (and failing) to bludgeon antifascists with hammers.

He was also with his g/f at the time (Dominique Tota, left of Tarrio), and that's definitely a twitter account folks will want to block/report because he posts on it.

He's been plenty active at the pro-Covid/anti-mask/ReOpen protests in Lansing MI, seen here with Jerry Wayne and an effigy of Gretchen Whitmer, who his militia friends tried to kidnap and publicly execute.

Outside of the Proud Boys, his solo "career" with Oak Nation features the same misogyny, classism and gateway to far-right domestic terrorism the Proud Boys themselves feature. Here's him peddling oxychlorinque and bragging about harassing service workers.

A short thread on one aspect of trolling on here, from my recent experience. I’ve got a fair number of followers. I tweet about controversial topics - and yet I don’t get trolled that much. A bit, but not thatmuch. There are times, though, that I *do* get trolled a lot. 1/n

The pattern is pretty clear, and has been played out a few times over the last few days. I get into a conversation about a topic that could be considered race-related. Empire. Immigration. Something like that. And that conversation includes a highish profile BAME person. 2/n

More often than not, a BAME woman. In those cases, it takes very little time for the trolls to come steaming in. Most of them seemingly rational, taking issue with some technical point, but quickly descending into something much worse. 3/n

When I look at the profiles of the trolls, they’re often relatively innocuous. Not saying ‘Hey, I’m a racist troll, a white supremacist’ at all. Not likely to be caught by any kind of anti-troll measures. Instead, they look relatively normal. 4/n

But what happens is very much about racism, and often misogyny. Attacks that are - or appear to be - not that dramatic on their own. Not rape threats or death threats, or ‘go home’ or things like that, but designed to undermine, to disturb, to annoy - but with an undercurrent 5/n

My morning thought. I think what's most incompatible about the way I think and the journal article format as a means of capturing and validating thought is that I have a completely different sense of the relation between tentativeness, rigor, and informatic compression.

The characteristic Pete thought is: wait a minute, this whole area is dominated by an assumption that no one seems to be questioning, and I've got two options to express that: i) outline the logic of the issue in a quick and compressed way, ii) write a small book with references.

The discipline seems to want something in between these poles every single time, and this makes me extremely anxious because I feel (with good reason) like any partially referential engagement with the issue will get instantly torpedoed by anyone outside its referential remit.

To repeat something I've said before: I'm actually quite good at being *concise*, I just find it very hard to be *brief*, because most of the thoughts I have don't permit brevity. Consider what your (referential) reactions are to this brief piece:

One of the main genres of publication I've actually excelled in over the years is dictionary articles, which I take a lot of joy in writing, and include some of the pieces of which I'm most proud. Consider this one on the crux of Meillassoux's project: