I've been publicly addressing white mediocrity since my 2011 blog post "The American Way: Mediocrity, When White, Looks Like Merit," but I learned A LOT from @IjeomaOluo's MEDIOCRE. As Brittney Cooper's @nytimes review said, it really is an invitation for society to do better.

Of necessity, that invitation requires unvarnished truths. A few of my favorite lines:

“When I talk about mediocrity, I am not talking about something bland and harmless. [...] I’m talking about a dedication to ignorance and hatred that leaves people dead, for no other reason
than the fact that white men have been conditioned to believe that ignorance and hatred are their birthright and that the effort of enlightenment and connection is an injustice they shouldn’t have to face” (6).
“Perhaps one of the most brutal of white male privileges is the opportunity to live long enough to regret the carnage you have brought upon others” (30).

“Nothing says ‘American’ like a boy making a woman struggle so that he can seem independent” (35).
“Mediocre, highly forgettable white men regularly enter feminist spaces and expect to be centered and rewarded, and they have been. They get to be highly flawed, they get to regularly betray the values of their movement, yet they will be praised
for their intentions or even simply for their presence—while women must be above reproach in their personal and public lives in order to avoid seeing themselves and their entire movement engulfed in scandal” (62).
Followed by security staff in stores & stared at when I attend social or work gatherings, "My entire life in Seattle has required that I navigate how whiteness refuses to acknowledge itself and yet insists on asserting itself whenever it encounters people of color" (143).
“Many of the hardships women face in the workplace are due to the overvaluing of white men. How many times in recent years have you heard the argument that a white man shouldn’t be fired for sexual harassment or other gross misconduct because it would 'jeopardize his future’ or
‘waste his potential’? ... To harm the trajectory of any white man—no matter how incompetent, no matter how many women or people of color he stepped on or groped along the way—would be a risk too large to take” (183).
“I do not know if [George Preston] Marshall would be happy with how quickly his racism was forgotten—it doesn’t appear to be something he wanted to hide, in life or death. But our society likes to make heroes out of some of our biggest bigots” (237).
“White male identity is in a very dark place. [...] I can only imagine how desolately lonely it must feel to only be able to relate to other human beings through conquer and competition” (273).

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"I lied about my basic beliefs in order to keep a prestigious job. Now that it will be zero-cost to me, I have a few things to say."


We know that elite institutions like the one Flier was in (partial) charge of rely on irrelevant status markers like private school education, whiteness, legacy, and ability to charm an old white guy at an interview.

Harvard's discriminatory policies are becoming increasingly well known, across the political spectrum (see, e.g., the recent lawsuit on discrimination against East Asian applications.)

It's refreshing to hear a senior administrator admits to personally opposing policies that attempt to remedy these basic flaws. These are flaws that harm his institution's ability to do cutting-edge research and to serve the public.

Harvard is being eclipsed by institutions that have different ideas about how to run a 21st Century institution. Stanford, for one; the UC system; the "public Ivys".
The chorus of this song uses the shlokas taken from Sundarkand of Ramayana.

It is a series of Sanskrit shlokas recited by Jambavant to Hanuman to remind Him of his true potential.

1. धीवर प्रसार शौर्य भरा: The brave persevering one, your bravery is taking you forward.


2. उतसारा स्थिरा घम्भीरा: The one who is leaping higher and higher, who is firm and stable and seriously determined.

3. ुग्रामा असामा शौर्या भावा: He is strong, and without an equal in the ability/mentality to fight

4. रौद्रमा नवा भीतिर्मा: His anger will cause new fears in his foes.

5.विजिटरीपुरु धीरधारा, कलोथरा शिखरा कठोरा: This is a complex expression seen only in Indic language poetry. The poet is stating that Shivudu is experiencing the intensity of climbing a tough peak, and likening

it to the feeling in a hard battle, when you see your enemy defeated, and blood flowing like a rivulet. This is classical Veera rasa.

6.कुलकु थारथिलीथा गम्भीरा, जाया विराट वीरा: His rough body itself is like a sharp weapon (because he is determined to win). Hail this complete

hero of the world.

7.विलयगागनथाला भिकारा, गरज्जद्धरा गारा: The hero is destructive in the air/sky as well (because he can leap at an enemy from a great height). He can defeat the enemy (simply) with his fearsome roar of war.