The amazing thing about the era of filmmaking that ended with "Wonder Woman 1984" is that a script that dumb and joyless could get past dozens of people without anyone pumping the brakes before a firehose of funding was sprayed over the project.

Minimum wage hikes are an easy pander - thank politicians for "giving you a raise," and don't think about all the jobs they destroyed! - but they're also an important weapon in the Left's war on the middle class.

Xi Jinping's speech at Davos boiled down to: The world has no choice but to do business with China, and if you want to do business with China, you need to stop criticizing our tyranny and questioning our lies about the

Xi's address to the World Economic Forum will serve as well as any other moment for historians to mark the beginning of the Authoritarian Era. He said nothing new, but he restated the narratives and demands of Chinese fascism from a post-pandemic position of aggressive strength.

For the first time, Xi spoke to a world that is beginning to accept the tenets of authoritarianism, thanks to the incredible political and economic damage from China's coronavirus. China's ideals have become as viral as Covid-19.

Thanks to the pandemic, the political elites of the world now universally see their citizens as dangerous mobs that must be tightly controlled for their own good. Most of them always thought that way, but now they can say it openly and act aggressively on their prejudices.

Xi clearly stated that China will not be contained, censured, or judged for its actions. He denounced Western ideals of human rights as "arrogance" and imperialism. After Covid and Biden's inauguration, he sees no nation with the strength or will to thwart China's ambitions.

Every crisis becomes a religion if it lasts long enough.

One factor in that transformation is the Beautiful Theory phenomenon: the power elite insists its remedies are logical and politically correct so they MUST work, even if the actual evidence shows they obviously don't.

It's entirely reasonable to say Trump's election lawyers need to produce hard evidence to back up their sweeping allegations, PDQ.

It's absurd to expect them to do it live on a talk show, as if they were carrying Marsellus Wallace's magic glowing briefcase from Pulp Fiction.

Host: You say thousands of votes were switched by corrupt computer software. You need to prove it.

Sidney Powell: Of course. I have the proof right here.

[opens briefcase, golden light spills out]

Host: Is that...?

Powell: Yes.

Host: Wow. OK, you win. I'm sold.

There is no way the "evidence" of the most serious claims is something that can be dangled in front of cameras. There is no way that attempting to do so would convince anyone, nor should it. The evidence will be extensively evaluated by experts and presented to judges.

It's perfectly appropriate to say the clock is ticking and this evidence needs to be correctly presented in the proper venue very quickly. Treating it like prop comedy on a talk-show set or at a press conference isn't exactly going to make it look more serious and credible.

It's possible Trump's team sincerely believes they have ironclad evidence, but it doesn't pass muster with court analysts. In other words, they're not trying to scam anyone, but they're mistaken about the value of what they have. Their reputations would survive in that case.

One reason the Left hates Rush so much is that he was so effective at skewering their pretensions to moral and intellectual superiority. He made it okay to laugh at them, to judge the failure of their policies without ritually celebrating their alleged good intentions.

Many readers have asked me "why do so many pulp covers feature women in ripped red blouses standing in swamps while a man fights off an unusual animal attack?"

The answer is artist Will Hulsey...

Will Hulsey was the undisputed king of the animal attack pulp cover. You name it, he'd paint it attacking you in a pool of stagnant water.

Very little is known about Will Hulsey, but he worked on a number of men's pulp magazines in the 1950s and early 1960s including Man's Life, True Men, Guilty, Trapped and Peril.

Their audience was ex-GIs: during WWII the US Council of Books in Wartime had given away over 122 million books to American servicemen to read; this led to a post-war surge in paperback and magazine sales amongst these newly enthusiastic readers.

As a result the 1950s saw a raft of men's pulp magazines being published to tap into this market - almost 200 different titles!

The Calvin and Hobbes comic strip ended 25 years ago, so let’s celebrate a New Years treat by analyzing it! Awhile back I had a students annotate structures in every C&H strip, so we have data on the whole thing. As Calvin says: let’s go exploring! 1/ https://t.co/GAm45Ni1m5

An interesting feature of this strip is that Watterson took a few sabbaticals during its run, and came back with more artistic freedom. So, I’ll focus here on how a few aspects of the strip change over time. Here’s what every panel per strip looks like (all 14,712 panels!) 2/

Let’s start with storytelling. Overall, the strip shifts to becoming more visual and multimodality balanced in meaning over time. In this graph, higher numbers mean more meaning carried by pictures than words (0=balanced) 3/

You can also see this in the overall increase of wordless panels across strips. Interestingly, you see the same trends for both daily and Sunday strips, suggesting broader shifts in Watterson’s storytelling inclinations 4/

The amount of words also changed. The strip steadily got more wordy in the first half of its run, but then started decreasing again as it shifted to visual meanings 5/

62nd anniversary of The Day The Music Died.

Some shots from that final show at the Surf Ballroom. That's Waylon Jennings playing bass for both Buddy Holly and Richie Valens. He didn't ride on the plane because he lost a coin flip.

correction - it was Buddy Holly's guitarist Tommy Allsup who lost the plane ride coin flip to Richie Valens; Waylon Jennings reluctantly gave up his seat on the plane to JR "The Big Bopper" Richardson because Richardson had the flu.

In their last conversation, Buddy Holly kidded Jennings for 'chickening out' of the plane ride, and joked "I hope your damn bus freezes up again."

Jennings, joking back, told Holly "I hope your ol' plane crashes." That joke haunted Jennings for decades.

The Surf Ballroom in Clear Lake survives, though, and is still a gem; and still hosts an annual February commemorative Winter Dance Party.

Time to lift the lid? Can you ‘live tweet’ reading a 6 year old playbook you co-wrote and it not be the be the most boring thing ever? How could something written about social media 6 years ago possibly even be relevant eh?! #StorytellingAtScale

From a creative perspective we could almost stop right here... the biggest challenge in churning out content is that you don’t give yourself the time to make exceptional content that you’d actually want millions of people to see... like your TV ads. #StorytellingAtScale

This doesn’t seem... controversial? But we gave it a whole page because frankly all too often it still is 🤷‍♂️ #StorytellingAtScale

An integrated campaign that brings the same campaign idea (and distinctive assets ideally) to life but in a way that makes sense on social...? Sounds pretty obvious. This was the output of the first ever UK ‘Publishing Garage’ workshop with Facebook & Elvis. #StorytellingAtScale

Ahh yes, perhaps not award winning creativity but let’s acknowledge FB isn’t always the biggest/broadest brand building canvas... practical occasion based (category entry point even?) content and simple reminders or prompts play a big role. #StorytellingAtScale