Today’s game supplement is Death in Freeport (2000) from Green Ronin Publishing. I haven’t really featured my own work on #CuratedQuarantine to date but it is relevant to the d20 story.

D&D 3E, which I talked about yesterday, was released with two attached licenses: the Open Game License and the d20 System Trademark License. #CuratedQuarantine
The basic idea was to give other publishers a legal way to release D&D compatible material and to be able to indicate that with a special d20 System logo. This would eliminate a lot of legal headaches that TSR and then WotC had to deal with. #CuratedQuarantine
It was also hoped that certain types of support books that WotC had difficulty selling in large numbers—short adventures in particular—could be taken up by third party companies. I remember the work meeting where all this was pitched to the staff. #CuratedQuarantine
WotC was too big to be agile, it was argued, so let other companies provide support material. The more people kept playing D&D, the more WotC would benefit. #CuratedQuarantine
There were many dubious faces at this meeting and some of the concerns expressed were, in fact, proven to be correct but it got me thinking. #CuratedQuarantine
I had left Roleplaying R&D by this point to join the brand-new miniatures team (a whole other story I should tell some time). I found I missed RPG work though, so I decided to start a side company to keep my finger in the pie, as it were. #CuratedQuarantine
This was Green Ronin Publishing, and I was already working on our first release, a beer and pretzels RPG called Ork! The Roleplaying Game (now in its second edition). I figured my tiny company could be plenty agile, so I started working on a short adventure. #CuratedQuarantine
My idea, licenses permitting, was to publish it at GenCon 2000, the same day the new Player’s Handbook would debut. I knew WotC was taking a “back to the dungeon” approach, so I decided to do a city adventure instead. #CuratedQuarantine
I spiced it up with pirates and Lovecraftian horror and that’s how the city of Freeport was born. The question was, would these licenses be ready for use in time for me to pull this off? The answer may surprise you: no! #CuratedQuarantine
The earliest d20 material was actually released under a “gentlemen’s agreement” with WotC. We proceeded under good faith with the idea that they would get the legal stuff squared away and we’d make any required changes when the time came. #CuratedQuarantine
At GenCon that year, you could buy two third party adventures: my own Death in Freeport and Atlas Games’ Three Days to Kill. I took a huge gamble and printed 10,000 copies (in most circumstances, a terrible idea!) but I made the right call. #CuratedQuarantine
Death in Freeport sold like crazy and put Green Ronin on the map. This was obviously a great thing for me and Green Ronin is still here 21 years later. Was it great for WotC and D&D though? Tomorrow I’ll look at some of the unintended consequences. #CuratedQuarantine
FYI, we published a 20th Anniversary edition of Death in Freeport last year. It’s available for both 5E and my own RPG, Fantasy AGE. #CuratedQuarantine
https://t.co/R3mbO1Vsef

More from Culture

I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x


The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x

Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x

The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x

It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x
This thread examining a detrans story puts me in mind of something that shocked me to the core fifteen years ago in early 2004. I’ve not often told this so there follows a mini thread of my own.


This time in 2004 was very sensitive. Our little team at Press for Change was carefully helping to support the government to get the Gender Recognition Bill through its parliamentary stages. It had already started in the Lords and faced a committee stage with evangelical-backed..

..opposition facing the government’s Bill minister Lord Filkin and and others from all parties supporting him. The heavy lifting of daily liaison work was handled on our side by my colleague Claire @2legged whose back room lobby efforts should never go unacknowledged in any..

..account of events. Our political backdrop was a small but determined effort by two evangelical groups touting very familiar lies about trans people and, perhaps more worrying, a couple of contemporary journalists (one a Guardian staffer and one a freelance) determined to tout..

..detransition scare stories as a way to perhaps cast doubt over formalising a legal recognition process. The thing that was obvious at the time was that their stories relied on constant recycling of the same 10-12 case stories, which they had discovered because they were the..

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