BC WRITING
Saved by @Jacobtldr

I can second this observation through personal experience. I was only able to start writing because "it's just dumb weeb fanfiction quests, who cares." 100,000 pages of dumb weeb fanfic later, and I actually got better... but only because I was trying my best with every page.

 "It's dumb weeb fanfiction" gave me permission to be bad, to vomit things onto the page that I knew fell far short of what I wanted it to be. To just write and write instead of laboring over six paragraphs for weeks like I'd always done before.

But I still *wanted* to be good.
Writing is HARD. And unfortunately, most people don't appreciate just how hard writing (or communication in general) is, and that cultural attitude infects writers, too.

You must give yourself permission to be bad. And realize that all writing is practice.

IT. COUNTS.
And as the folks in my mentions are pointing out...

https://t.co/5kyxA5Ezm2
... it's an excellent way to find out what actually resonates with other people - putting work out there. Even your early bad stuff you'll cringe at later.

What resonates is NOT easy to tell, because we all, inherently cringe at ourselves, a lot.

https://t.co/g5Nt5LGTNN
Writing is inherently indulgent. We're plumbing our Id and dredging up the things we like and care most about after all; and inside our brains we're still six year olds playing with toy airplanes and wanting to be cowboys when we grow up, without a trace of self-consciousness.
But even then...

Not long ago I was in the Greenfield Village train museum, watching a young boy who reminded me much of myself. Despite his youth he clearly knew his shit about trains; he knew terminology I only vaguely recalled myself, as an adult.
And yet, despite being encouraged by everyone, and having a very receptive (and plainly thrilled) senior engineer happy to talk about trains and answer every question he could, the kid was very plainly painfully shy and had to be coaxed into talking about it.

It's always there.
Even at that age, it's already apparent that you like things others don't. Most kids don't play with airplane toys. They run out to the playground to play Power Ranger or whatever. They're into things you can actually see on TV.

Somehow, you always know.
It's always hard, then, to write about what you *really* want to write about. To turn people into dinosaurs instead of curing cancer, which is what Conventional Wisdom says you should do with your skills.

But if you do, you'll find out just how many people think like you do.
And if you're tempering your indulgence; if you're subjecting your deeply-held beliefs to the bite of reality, and exploring how they can be resolved, if ever, you're just mirroring the internal struggle of most human beings. It's perhaps the essence of the human condition.
Dumb fun indulgent things sell well. And I don't mean just "hurr cute" like Strike Witches; I mean the stuff your inner seventh-grade chuuni still loves and unironically thinks is cool as hell.

But we're ALL like that, deep down. We all have the inner chuuni, still lurking.
That's the stuff we really, truly love. Nobody loves being an adult, stuck on this bitch of an earth where dull pragmatism and soul-crushingly boring routine labors dominate, all so we can perpetuate existence till we're in a pine box.

We all *want* that magic back again.
But you have to remember that vast tension between our imagination and our reality is what has driven our civilization ever-onward. You'd have to be a chuuni to be a fighter pilot; bolting your ass to a supersonic fuel tank with a lit torch on one fucking end.
You have to be even more insane to do it with a moon rocket - especially given how mind-numbingly hard they are to engineer and build.

But that's where the hard-working, pragmatic adult and the chuuni have a meeting of minds; the former can realize the latter's ambition.
And that, IMO, is why I was pushing the limits and always *trying* for serious things even when I was writing what was effectively a weeb crossover fanfic romantic comedy.

Because I simply couldn't help myself. Because I really DO believe we can realize our chuuni dreams.
I'm not saying that pure fluffy escapism fantasy is bad. I'm certainly not qualified to judge. But I DO think that if you wall off your own work like that, because you think those nice things can never be realized, not even a little, in real life - you're going to live a sad life
I went through a very dark period after my grandmother died a few years back; what little I produced during that period was just an existential scream. I thought I'd embraced that philosophy wholesale, swallowed the blackpill.

But eventually I realized, I couldn't accept it.
Whatever your inner chuuni ambition is, you have to embrace it. *Fully,* and without shame. Use whatever excuse you have to, to start out with. But shed them, when you're ready. In the end, you can't outrun yourself. And really, you shouldn't try to.

Say what you truly believe.

More from Writing

Delilah S. Dawson
Delilah S. Dawson
@DelilahSDawson
Hello, writers! How about a thread on LITERARY AGENTS? How to get one, how to talk to one, how to keep one happy. Spoiler alert: I am 100% pro agent and can't imagine not having one on my side. 1/

Why would you want a literary agent?
* you want to be traditionally published
* you want someone experienced to help guide your career
* you want to learn how to edit like a pro
* you want to sell foreign and movie rights
* you want answers to your newbie questions 2/

Why you might *NOT* want a literary agent:
* you want to self publish
* you're not willing to compromise on your edits
* you don't think their expertise is worth 15% of your advance
I... can't think this way. Literary agents have been crucial to my career. 3/

So, how do you get a literary agent?
1. Have a finished, revised, edited, polished manuscript.
2. Write a query letter for your book
3. Send your query to agents who rep your genre and are open to submissions
4. Repeat steps 1-4 until you're offered representation. 4/

So, let's go through those four steps. First of all, you must have a finished, revised, edited, polished book, and it must be sellable. That is, you can't sell a 600k picture book or a 40k adult Fantasy, etc. You must read extensively in the genre you're writing. 5/
WRITING
Paul Krueger
Paul Krueger
@NotLikeFreddy
In 2013, I woke up and said, "I want to write a book about Pokémon."

In 2017, I finally wrote it.

In 2019, thanks to the fine folks at @DelReyBooks, you'll all get to read it.

I'm pleased to announce my epic fantasy debut. Formerly: "Fullmetal Pokémist." Now:

STEEL CROW SAGA.


Seriously, everyone, I can't tell you how thrilled I am to share this one with you. The world is far-flung and weird, and the characters live lives so far removed from mine, but STEEL CROW SAGA is honestly the most personal and autobiographical thing I've ever written

Yeah, I guess I should address that early. STEEL CROW SAGA is not a trilogy. This is a standalone book. I left doors open for someday, but my plan right now is for each of these three books to be its own


Last thing I'll say here: I couldn't have asked for a better team than @DelReyBooks to work with--particularly @tnarwani, who just Gets this book. In our call, she casually cited a semi-obscure Korean movie from ten years ago, unaware it'd been a key influence. That's when I knew

Anyway. Plenty more to tease in the coming year. Thanks again to my friends who got me through it, and especially to @dongwon who saw this weird Toonami regurgitation and immediately believed in it. Today is my triumph, but it's also theirs.
WRITING
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Most of the fairy tales are ancient folklores & it's hard to trace back to it's original creators. Still I wanted to see which nakshatra natives has contributed to this field.
* all charts calculated using cosmic insight app & lahiri ayanamsa


Jacob Grimm

Purva Asadha ☀️
Chitra 🌙
Magha ketu

Wilhelm Grimm

Shatabhisa ☀️
Purva Asadha 🌙
Pushya ketu


These German scholars are perhaps the most famous fairy tale collectors of all time. This collection was actually done as a part of their academic work.

Many popular tales reached a wider audience through their collection, including:

⭐Little Red Riding Hood
⭐Hansel and Gretel
⭐Snow White
⭐Sleeping Beauty
⭐The Frog Prince
⭐Rapunzel
WRITING
Daniel Solis, Jive Turkey
Daniel Solis, Jive Tur...
@DanielSolis
Thread: Common instances of passive voice in rules text that can be clearer with more direct voice.

But first: Why do we so often write rules in passive voice? Outlining the "laws" of our game feels like a very formal position with an of aloof authority. Avoid that voice.

"THE PLAYER"

Question any instance of "the player" in a sentence. If you are addressing one player, address them directly in the first sentence of the paragraph and use "you" thereafter.

"If you are the first player, you may X, Y, then Z. If you X, see next page."

"HAVE/HAD/HAS/'D/"

Examine any of these words or contractions. There is usually a more succinct way of phrasing that sentence in the present tense and direct address.

"The player who has just moved must..."
vs.
"After you move, you must..."

"WE"

If you want to put yourself at the table with the players, do so CONSISTENTLY. A random "we" in one paragraph really sticks out. You can even play with voice that way.

"We suggest using option A for your first game."
vs.
"Ahoy, cadet! Use option A for your first game!"

"YOU MAY BUILD, HARVEST, or REST."

Break up action options into a bulleted list rather than a long sentence. e.g.

"On your turn, do one of the following:
• Build: Pay X to place a card.
• Harvest: Destroy a card to gain X.
• Rest: Draw a card from the deck."
WRITING
Alexander Freed
Alexander Freed
@AlexanderMFreed
Someone asked me recently about breaking into the video game industry as a writer / narrative designer. There's so, so much good advice out there that I only tend to hit this topic on rare occasion. But it's been a while, so let's go!

(Why my answer is worth anything: I've been doing this for about fifteen years and I've hired a lot of writers and editors. Why my answer isn't worth anything: My view of the industry is fairly narrow and I haven't tried to break in for a while, so I'm arguably out of date.)

First: Write, write well, and write video games. Published non-games material is great, but at this point there's no reason not to put together a Twine game or similar to add to your portfolio. Show you're interested in the medium.

If you're applying to a job that requires a writing test (most companies serious about narrative will require one), do what the test says. Follow instructions. Show you can deliver what your client is asking for. Do it well.

If you're submitting other samples, make them diverse in style / tone / character voice--show range. If you want to be artsy and experimental, you can INCLUDE that but it shouldn't be the focus. I want to know someone can tell a straightforward story adeptly. Basics first!
WRITING

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Sam Rocha
Sam Rocha
@SamRochadotcom
THREAD

I get asked for writing tips a lot. Of all the ones I’ve given, here are a few of the ones that seem to hold true and remain somewhat universal or at least mostly unobjectionable:

#amwriting #writingtips

1. If you are a fast writer (i.e., if you compose first drafts very quickly) then you absolutely must become a slow editor. Much of what I call “writing” is really, for me, editing.

2. If you don’t read you cannot write a lot or well. Sure, maybe you can read like a maniac for a decade and then read less after that, but without some large volume of intake, there will never be a meaningful output.

2.1 I sometimes say that I feel like writing without reading is like trying to run a marathan on a cracker. And sadly I see many students struggling to write when they have simply never read enough to fuel that demand of the task at hand.

3. All writing is writing if one decides to treat it that way. If one takes some degree of intentional will when sending emails, posting on social media and writing notes and marginalia, then all of that can count as meaningful daily writing.
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Vibhu Vashisth
Vibhu Vashisth
@VIBHU_Tweet
प्राचीन काल में गाधि नामक एक राजा थे।उनकी सत्यवती नाम की एक पुत्री थी।राजा गाधि ने अपनी पुत्री का विवाह महर्षि भृगु के पुत्र से करवा दिया।महर्षि भृगु इस विवाह से बहुत प्रसन्न हुए और उन्होने अपनी पुत्रवधु को आशीर्वाद देकर उसे कोई भी वर मांगने को कहा।


सत्यवती ने महर्षि भृगु से अपने तथा अपनी माता के लिए पुत्र का वरदान मांगा।ये जानकर महर्षि भृगु ने यज्ञ किया और तत्पश्चात सत्यवती और उसकी माता को अलग-अलग प्रकार के दो चरू (यज्ञ के लिए पकाया हुआ अन्न) दिए और कहा कि ऋतु स्नान के बाद तुम्हारी माता पुत्र की इच्छा लेकर पीपल का आलिंगन...

...करें और तुम भी पुत्र की इच्छा लेकर गूलर वृक्ष का आलिंगन करना। आलिंगन करने के बाद चरू का सेवन करना, इससे तुम दोनो को पुत्र प्राप्ति होगी।परंतु मां बेटी के चरू आपस में बदल जाते हैं और ये महर्षि भृगु अपनी दिव्य दृष्टि से देख लेते हैं।

भृगु ऋषि सत्यवती से कहते हैं,"पुत्री तुम्हारा और तुम्हारी माता ने एक दुसरे के चरू खा लिए हैं।इस कारण तुम्हारा पुत्र ब्राह्मण होते हुए भी क्षत्रिय सा आचरण करेगा और तुम्हारी माता का पुत्र क्षत्रिय होकर भी ब्राह्मण सा आचरण करेगा।"
इस पर सत्यवती ने भृगु ऋषि से बड़ी विनती की।


सत्यवती ने कहा,"मुझे आशीर्वाद दें कि मेरा पुत्र ब्राह्मण सा ही आचरण करे।"तब महर्षि ने उसे ये आशीर्वाद दे दिया कि उसका पुत्र ब्राह्मण सा ही आचरण करेगा किन्तु उसका पौत्र क्षत्रियों सा व्यवहार करेगा। सत्यवती का एक पुत्र हुआ जिसका नाम जम्दाग्नि था जो सप्त ऋषियों में से एक हैं।
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Anu Satheesh
Anu Satheesh
@AnuSatheesh5
Beautiful story of Shri Krishna, Mata Rukmini & Satyabhama which teaches the importance of Bhakthi.
Devotion is important than anything.
#bhakthi
🕉
Satyabhama, royal princess was very proud of herself. Rukmini was very humble, her devotion was pure to Shri Krishna.


One day, Rishi Narada( Kalahapriya) arrived in Dwaraka and met Sathyabhama. In between the conversation he hinted that Krishna exhibits affection more to Rukmini than her. Worried Sathyabhama asked what can should be done to gain Krishna's undivided attention.
@SriramKannan77


Narada asked Satyabhama to make a vow, that she will hand over Krishna to him as a slave, if she cannot trade wealth equivalent to Krishna's weight. Narada thus convinces Sathyabhama that Krishna will admire her for sacrificing all her wealth for him.


Sathyabhama was sure that she have enough wealth to balance Krishna.

She went to Krishna and told about her vow to Narada. Krishna patiently listened to her and accepted the challenge. Satyabhama arranged to bring large scales to weigh and brought all her precious jewels.


Krishna patiently sat on one plate of the Scales (tula). Sathyabhama started piling up the gold, jewels on the other plate. She kept adding more and more wealth, but the pan with Krishna did not even budge. Even after keeping all her jewels the scale did not move a little
RELIGION
Anu Satheesh \U0001f1ee\U0001f1f3
Anu Satheesh 🇮🇳...
@AnuSatheesh5
Panniyur Sri Varahamurthy Temple Palakkad, Kerala
#KeralaTemples 🚩

Panniyur Sri Varahamurthy Temple is located in Pattambi Taluk of Palakkad District. This is believed to be the first temple in Kerala, where Prathishta was done by Parasurama

Story says that, Parashurama after


Creating Kerala was doing Tapasya here. But he was disturbed as the land faced turbulence. Parashurama sought Narada’s help, who advised him to pray to Vishnu. Parashurama started praying Maha Vishnu. Finally Maha Vishnu appeared and told to do Prathishta of his Varaha Avatar.


As Earth is saved in Varaha Avatar, this temple is famous to solve land related issues.

Many people conduct Bhoomi puja here, which is very special here. They bring sand from around the temple which is used for pooja and then has to be returned to the same spot 👇


from where it was taken.
It is also believed that Perumthachan, the legedary craftsman has abandoned his tools here.
Om Shri Varaha Murthaye Namah
🙏🕉🙏
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