1/ Thought it was strange to see an ostensibly hard Left "No Pasaran" publisher come out with a "Jewish Pride" text so decided to do a little digging into the company.

LING PURANA: IMPORTANCE AND CHARACTERISTICS

Reading Ling Purana provides bhog and moksha to the reader and listeners. It is about Shiva's sermon to Brahma when Shiva entered the Agni Ling and preached about Dharma sidhhi through the stories of Agni Kalp.

Vyasji divided this into two parts. This book is different from others and has eleven thousand shlokas which depict the glory of Shiva. This Puran is the summary about importance of Tridev.
It starts first with a questions. Then it describes the Shrishti in brief.

Then there is description of Yog and Kalp. Next is the evolution of Ling and its puja Vidhi. It consists of dialogue between Sanat Kumar and Shail etc. It also mentions the character of Dadhichi, the dharma representation of that yug, Bhuvan kosh description,

Chandravansh and Surya vansh. Next there is elaborate description of Shrishti, story of Tripur, Ling and Pashu Paash vimoksha, Vrats for Shiva, Discipline, Repentance, Arisht, description of Shri Shail. Next is the story of Andhakasur, Varah, Narsingh,

k¡lling of Jalandhar, Shiv sahastra naam, story of Daksha's yagya and its destruction, killing of Madan and marriage of Parvati.

Next is Vinayak katha, Shiv tandav, Ambrish katha and Upmanyu .

#SatiSavitri #RealLifeExperiences #BharatDarshana

Bharat Darshana publishes a small monthly magazine which has some very interesting puranic anecdotes and snippets.

When I picked up this month's magazine, I was intrigued by a story which I want to share as below

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This is a real-life incident as narrated by Prof. Krishna Bihari Pandey titled "Sati Savitri"

Sati Savitri is a well known puranic figure from Srimad DeviBhagwatham and Mahabharatha as one of those who fought with Yama to save her husband.

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This story is a modern real-life experience which mimics the puranic account in it's own unique way.

The story occurs in 1975 with Prof and his wife in Delhi with professor working as a researcher in university. Prof's family is in Allahabad in a large joint family

3/

Once Prof gets to know that his mother is not keeping well. He goes to his native and brings his mother. With dedicated care of his wife, his mother recovers quite remarkably and regains full stamina and strength

Mother-in-law & Daughter-in-law go out for shopping frequently

4/

Life's going smooth until one day when they receive a telegram that Prof's father is not keeping well.

His mother is distressed about the situation and requests her son to take her to the native. Prof is a little angry due to frequent travels and turns it down

5/

The title is Tandav. The eternal dance of Shiva. That, first, should be the point of your obsession with offensia (no word like that) series dedicated to OTT crap load. Appropriation of 'Tandav' - the word itself should be the precursor to any examination of the so called content

When the classical arts and the folk forms, especially the dance forms, involve the depiction of Shiva's Tandav, there is a separate, exclusive, special treatment to the movement, approach, sound, music, and vision. Many approach it as a sacred episode in performance.

I don't know what crap load are you people objecting to in the name of offensia. It's your eye balls that gives us unwanted crap load like this series. Time and again. Time and again. Baar Baar. Bakwas. You outrage too much. You don't believe in the positive. Negative. Negative.

Who gives a dead fish to what an idiot fading actor churns out to keep his bank balance going. Shift to the fine. Encourage fine. Educate yourself to incline with the fine and positive. And dare you call the Indian performing arts "naach gaana". That's where Shiva's Tandav lives.

It's because of your distracted set of eye balls that people who don't want the crap or shun it, have to live with the crap in the narrative. The coward "critics" hide in their down feather quilts when it comes to content like this. Why? Sochna? Kyonki tum ho na business dene ko.

In Islamic eschatology, the world will be flooded by a mighty invasion in the end of days.

The great army of the monstrous Yajuj and Majuj (Gog and Magog) will rampage throughout the earth.

A thread-

Yajuj and Majuj are mentioned in the Qur’an (Kahf and Anbiya).

They are sealed away behind a mighty wall by a legendary king, Dhul al-Qarnayn who is frequently linked to Alexander the Great and occasionally Cyrus the Great, though neither are exact matches

It is commonly believed they scratch at the wall daily, tearing nearly through until God intervenes and restores the barrier.

Thus sealed away, the world is safe from Yajuj and Majuj, that is, until the end of days.

Once released they are so numerous it is said when they come upon Tiberias lake or the Tigris and Euphrates they will drink it dry.

When they stand in formation their army stretches from Syria to ends of Persia.

Islamic eschatology regularly features the idea of an invading army and a great battle and Yajuj and Majuj is central to the narrative.