The Mummy is a movie like that. There is hardly a thing I can say in its favor, except that I was cheered by nearly every minute of it. There is a little immaturity stuck away in the crannies of even the most judicious of us, and we should treasure it.

This is a movie about a man who fooled around with the pharaoh's mistress and lived (and died, and lived again) to regret it. As his punishment he is "mummified alive," sealed inside a sarcophagus with thousands of flesh-eating beetles (which eat flesh "very slowly," we learn).
Millennia pass. In the 1920s, a French foreign legionnaire named Rick meets a librarian named Evelyn, and joins with her and her brother in an unwise quest to find Hamunaptra, the City of the Dead. (Sample dialogue: "Are we talking about THE Hamunaptra?").
They get into a race with other fortune hunters, who have heard of untold treasure buried beneath the sands, while meanwhile the descendants of the high priests, who have guarded the city for 3,000 years, move against them.
There is good reason not to disturb the mummy, named Imhotep. If he is brought back to life, he will arise a walking disease, we learn, and unleash the 10 proverbial plagues upon Egypt.
of which in the course of the movie I counted locusts, fireballs from the sky, rivers running with blood, earthquakes, and flies. Also of course the flesh-eating beetles, although I was not certain whether they were a plague or came with the territory.
None of this has anything to do with the great horror classic "The Mummy" (1932), which starred Boris Karloff in a strangely poignant performance as a long-dead priest who returns to life and falls in love with the modern reincarnation of the woman he died for.
The 1932 movie contains no violence to speak of; there's hardly any action, indeed, and the chills come through slow realizations (hey, did that mummy move?).
This 1999 mummy does indeed mumble something about his feelings for Evelyn, who may be descended from the pharaoh's mistress on her mother's side. But the bass on his voice synthesizer was set to "rumble," and so I was not quite sure what he said. It sounded vaguely affectionate.
in the way that a pit bull growling over a T-bone sounds affectionate, but how can Imhotep focus on rekindling a 3,000-year-old romance when he has 10 plagues to unleash?
There's a lot of funny dialogue in the movie, of which my favorite is a line of Evelyn's after she hears a suspicious noise in the museum library: "Abdul? Mohammed? Bob?" I liked the Goldfinger paint job on the priests in ancient Thebes.
And the way a beetle burrowed in through a guy's shoe and traveled through his body, a lump under his flesh, until it could dine on his brain. And the way characters were always reading the wrong pages of ancient books and raising the dead by accident.
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The problem with meta-analysis like this is that it obfuscates the most important issue of treatment, which is timing.


This meta-analysis of controlled trials only looks at hospitalized patients. How long were the patients ill for before being hospitalized? One week? Two? Three? Too late for zinc ionophores (HCQ) (+ZINC? No zinc no point..) to work. Severe illness becomes bacterial in nature.

Was azythromycin administered when the bacterial infections were also too advanced? I have seen Azythromycin work with my very own eyes but that's not to say that if administered too late it may not save the patient. How many patients were given AZT & ventilated? It's all timing.

All the meta-analysis is telling us is if you leave it too late you may have missed the early window for antiviral zinc treatment (Zn+HCQ) & that if you are given AZT when you are ventilated or very severe it may too late for it to save you & corticosteroids may be last resort.

And of course antibiotics need also probiotics, or they may harm the bacterial flora which is part of the immune response. Difficult to tell from a meta-analysis how this problem was managed.

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