Doolittle is weirder and worse than I expected. It pulls the Hunt for Red October language trick but for animal noises, and introduces the concept of the Doctor talking to animals three times in the first fifteen minutes, in case you forgot.

It’s the tried-and-true formula of one last job/heist/assignment. A longtime bad guy leaves the life of crime in pursuit of peace and quiet, but naturally gets dragged back to his old haunts and habits to settle a final score.

But “John Wick” breathes exhilarating life into this tired premise, thanks to some dazzling action choreography, stylish visuals and–most importantly–a vintage anti-hero performance from Keanu Reeves.

Toward the end of the film, a menacing Russian mobster remarks that the veteran hit man John Wick looks very much like the John Wick of old. Keanu Reeves looks very much like the Keanu Reeves of old, as well.

Elegantly handsome and athletically lean, he looks fantastic at 50 and is comfortably, securely back in action-star mode.

Not that he’s been gone that long or deviated that much from his persona but this later stage. Neeson’s recent resurgence in movies like Taken,The Grey and Non-Stop.

Bollywood is going through an unimaginable crisis.
Many big budget films are rotting in the cans while most under-production films are stuck.
The multiplexes are bleeding and single screens are gasping for breath.
The OTT platforms have become really choosy.
Who will report this?

Nobody from the journalism world seem to be interested to report this.
So here's a thread about how Bollywood has been severely impacted by the recent events and how it might be a body blow to the entertainment industry as we know it, if the situation doesn't change in six months

I was chatting with @taran_adarsh today.
He says that most big banner films are wait-listed for the theatres and they have all been rescheduled to 2021.
But here's the problem.
There will be a huge backlog as and when situation normalises in 2021 and people come back to theatres.

But the worst sufferers, as @taran_adarsh, concurs with me, are productions on a budget.
They are the ones which have and will be suffering the most because of lack of space.
"This situation is beyond anybody's control. Nothing can be done. We can just wait and watch," Taran says

OTT platforms haven't been able to come to the rescue.
The recent debacle of few over-hyped films have put them on the backfoot.
Nobody is ready to shell out dollars without watching the content and calculating its viability. The OTT sell prices on offer have drastically reduced.

In the opening moments of "Top Gun," an ace Navy pilot flies upside down about 18 inches above a Russian-built MiG and snaps a Polaroid picture of the enemy pilot. Then he flips him the finger and peels off.

It's a hot-dog stunt, but it makes the pilot (Tom Cruise) famous within the small circle of Navy personnel who are cleared to receive information about close encounters with enemy aircraft.

And the pilot, whose code name is Maverick, is selected for the Navy's elite flying school, which is dedicated to the dying art of aerial dogfights.

The best graduate from each class at the school is known as "Top Gun." And there, I think, you have the basic materials of this movie, except, of course, for three more obligatory ingredients in all movies about brave young pilots.

Navy jet pilot during the Vietnam era, until he and his plane disappeared in unexplained circumstances.

The Mummy is a movie like that. There is hardly a thing I can say in its favor, except that I was cheered by nearly every minute of it. There is a little immaturity stuck away in the crannies of even the most judicious of us, and we should treasure it.

This is a movie about a man who fooled around with the pharaoh's mistress and lived (and died, and lived again) to regret it. As his punishment he is "mummified alive," sealed inside a sarcophagus with thousands of flesh-eating beetles (which eat flesh "very slowly," we learn).

Millennia pass. In the 1920s, a French foreign legionnaire named Rick meets a librarian named Evelyn, and joins with her and her brother in an unwise quest to find Hamunaptra, the City of the Dead. (Sample dialogue: "Are we talking about THE Hamunaptra?").

They get into a race with other fortune hunters, who have heard of untold treasure buried beneath the sands, while meanwhile the descendants of the high priests, who have guarded the city for 3,000 years, move against them.

There is good reason not to disturb the mummy, named Imhotep. If he is brought back to life, he will arise a walking disease, we learn, and unleash the 10 proverbial plagues upon Egypt.

I've been watching the Netflix chess show and it reminded me of the time I beat Garry Kasparov. A thread 👇 1/

So it was back in the old USSR (I gave that title to my old friend Bruce for his songs) in the late 80s. As usual, there were 24 games. On the opening day I sat across the table from Garry and tried to out psych him with my famous penetrating stare 2/

I was shocked by his audacious first move: Queen's pawn to Q4! Outrageous! Especially since he was playing black... I left immediately and spent the rest of the day in my hotel, consoling myself with some delicious Cos D'Estournel Grand Cru 1988. 3/

By day two I had drunk so much high quality wine that I was barely able to focus on the board and was seeing double. However, with two sets of chess pieces at my mental disposal, I was able to access hitherto unknown forms of play. 4/

I began with the "Triple Bishop Castle", and followed with "The pawn Tsunami". For those who are eager to learn, the latter move is when all eight of your pawns reach the opponents side of the board and are simultaneously converted to Queens. 5/