I keep thinking that these are the latest in a long line of violehnt white supremacists. And how Whiteness erases its traces to seem seamless.

I only saw these photos of segregationists from the Civil Rights Movement era as an adult. https://t.co/j2YdXSBpXv

Of course I knew about CRM. I saw the the photographs of MLK, Malcolm X, of CRM leaders. We were taught at school (and not just in USA).

But I didn’t see photographs of white people so full of hatred and violence.
Even as early as 1970s visuals of White hatred and violence had been erased from mass media (or what counted as that). It was entirely all pervasive by the 80s when I got to NYC, as a teen.

Instead media relentlessly peddled images of Black and brown men engaged in violence
I remember being at NYPL and the the shock I felt at seeing images of violent hateful White people - not soldiers, mind you. I am from a former colony and we knew white colonialist violence well. But these images of ‘normal’ White folk.
Much of the backlash from big name White Women journalists against ‘Karen’ videos and images is because they know those videos visibilise White hatred and violence, specially of White Women and ruptures narratives of their innocence, exposes their collusion and participation
Even with all the evidence we have, daily White violence is invisibilised in the press, in mass media, in our cultural narratives.

Despite all the evidence, White cops killing Black and brown civilians are seen as anomalies, White terrorists as lone wolves/mentally ill
And that is what Jan 6th attack on the Capitol has laid bare: White hatred, White violence.

And the most important part for me is not the press photos. These invariably focus on the most eye-catching, attention grabbing visuals.
The most important ones - the ones we should REALLY ensure never go out of circulation and remain available for use for teaching are the ones taken by the insurrectionists themselves, of themselves and eachother. From Schmuck Jr’s video to various legislators to average citizens
Because it is in these images that the full horror of Whiteness is laid bare: their hatred of BIPoC, their joy in carrying out violence against them, and the entitlement to do so (the shouts of ‘our house’), their absolute confidence in impunity, and most/worst of all...
the Unshakeable Absolute White Innocence that ensures that there can be no doubt, ever, that their violence could be wrong, unethical, immoral
We need these images going forward. Not just as evidence of insurrection and crime but also as reminders of what we face, struggle against, myst vanquish if we are to survive.

We must find ways to keep these in our public knowledge and imaginary going forward.
End thread

More from Legal

These people weren't murdered. They were legally executed after convictions for horrendous crimes, being sentenced to the death penalty, and going through countless appeals.


You can oppose the death penalty as a punishment without pretending that the people executed were victims or that carrying out those executions is comparable to murder.

As an example: Daniel Lee was a white supremacist who murdered a family (including an 8-year-old girl) by suffocating them with bags and then dumping their bodies in a swamp.

That's whose name @CoriBush wants you to remember.

Wesley Purkey admitted to kidnapping, raping, and then murdering a 16-year-old girl named Jennifer Long. He then dismembered her body. He also beat an 80-year-old woman to death.

Maybe we should learn the names of his victims instead, @CoriBush?

Dustin Honken was a meth dealer that murdered 5 people, including 2 girls under the age of 11, because their dad was set to testify against him on drug charges. He was specifically sentenced to death for killing the 2 kids.

You May Also Like

"I lied about my basic beliefs in order to keep a prestigious job. Now that it will be zero-cost to me, I have a few things to say."


We know that elite institutions like the one Flier was in (partial) charge of rely on irrelevant status markers like private school education, whiteness, legacy, and ability to charm an old white guy at an interview.

Harvard's discriminatory policies are becoming increasingly well known, across the political spectrum (see, e.g., the recent lawsuit on discrimination against East Asian applications.)

It's refreshing to hear a senior administrator admits to personally opposing policies that attempt to remedy these basic flaws. These are flaws that harm his institution's ability to do cutting-edge research and to serve the public.

Harvard is being eclipsed by institutions that have different ideas about how to run a 21st Century institution. Stanford, for one; the UC system; the "public Ivys".
I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x


The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x

Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x

The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x

It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x