BC HISTORY
Saved by @CodyyyGardner

India has always been a paradise of art. Not jus coz i am born here, being an Artist i connect to this land even more. The only thing that saddens my heart is we do not value our own treasures.

#thread
#TalesofIndia

 My art leanings has often taken me to many websites of museums abroad where our creativity is taken care of. While casually flipping through websites of art museums this afternoon, i found some amazing collection of combs. Check it out.
☘You must have all heard about Pusyamitra Sunga. Here's a comb from the Sunga Empire featuring a Goddess. You will find it in Creative museum.
☘Another one from the Shunga Empire comes this ivory comb from the Cleveland Museum of Art. Styled like Chandraketugarh, an archeological site 21 miles from Kolkata in Northwest India. The comb features two goddesses and two peacocks on either side of them, facing each other.
☘Another ivory comb from karnataka displaying two peacocks. Arent they so gracefully adorned?
☘ Looks our our artisans were too fond of peacocks 🦚. So am i though.
This one has two gold peacocks with ruby eyes. And coral beads hanging across.
☘ Now this is an 18th century comb again with two peacocks. This is from somewhere in the North side of Bharat & is more delicate & lighter than the ones from Tamil Nadu.
This one was sold at Sotheby's
☘A few more from 18th century.
These are silver combs and you will be astonished to know they are hollow from inside to contain perfumes. Can u spot the silver knobs at the end? They are engraved with the face of a warrior & his consort.
☘From the Museum of Fine Arts Houston comes this gold comb of lions with ruby eyes from the late 19th to early 20th century
☘Here comes my favorite ones.
Residing in the Museum of Fine Arts Houston is a divine Radha Krishna carved comb.
On this ivory comb you can see Krishna & radha tending to 4 cows beneath the pedestal while other consorts holding parasol, fly whisk fan & sceptre
☘This one portrays Krishna and Radha in an embrace on top of which are two golden peacocks holding a vessel with two ruby knobs.

These 2 Krishna combs are from Madurai are now a collection of Susan L Beningson.
Ruling from the 16th to18th Centuries,the Madurai Nayakas had royal workshops and were credited with massive restructuring work, which spurred economic growth & led to the formation of many new towns. They also developed trade and earned the protection of artisans and merchants.
☘In this 18th century ivory and gold comb, Krishna is dancing and holding a butterball, two of his most popular portrayals. A scalloped frame surrounds him.

Cute na? 😍😍
☘In the first half of the 19th Century, to the West near the Persian border, 18th Century courtly scenes were painted on ivory combs. However, they portrayed sultans. You can see the mughal inspiration in these ones.
☘Then comes the British era when East India company slowly took over the power.
That is when combs started to look like this parcel-gilt silver peacock comb. It was made in Northern India in the early 20th Century.
The comb is hollow for the internal well of perfume, and the base has small holes, so the perfume can drip to the teeth and then into the hair.
Barabara steinberg founding Artistic Director of the Symphony of new world is also a lifelong collector of hair combs and Ornaments strated her blog on it 15 years ago to add valie to the marvels as antique dealers used to treat hair combs as throw away items in estate sales.
Quoting her verbatim :
To pre-Colonial Indians,there was no association of women with sin,no Eve or snake or apple.However, the British, especially xtian missionaries,were horrified at temple walls decorated with “much immodest,heathen-style fornication & other abominations.”
We are all lucky that art was preserved from societies that practiced religious and cultural tolerance, for then artists were free to combine diverse elements and create extraordinary pieces.
Once government becomes intolerant and blind, like the British who wanted to make all the world England, imagination shuts down. People just find an acceptable design and make copies.

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KENYAN\U0001f1f0\U0001f1ea HISTORY\U0001f1f0\U0001f1ea
KENYAN🇰🇪 HISTORY🇰🇪...
@historykenya101
Have you ever wondered why the sons and daughters of the colonial chiefs and guards who were collaborators live a good life while those of the MAU MAU fighters live in abject poverty?

***THREAD***


It should be known that the colonialists reached a point that they knew they had 2 leave Kenya since they couldn't handle the Mau Mau war & the world was moving toward accepting independent Africa.However,the colonialists devised an evil scheme that still eats Kenya upto this day

Under this scheme, the colonial state came up with a plan that saw the first crop of chiefly “big men” being empowered financially to take their children to schools and eventually have those children go to England for further studies...

...and eventually providing a ready-made socio-economic & political class whom state power could be entrusted in the post-colonial era.This explains why their children & grandchildren still hold majority of important positions in govt or in the private sector supported by state.

This also explains why children and grandchildren of these homeguards are always given preferential treatment when it comes to government appointments. Wewe na masomo yako you are always asking why you can never get a job in government...yet you're qualified..now you know.
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Jason Hickel
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This week, 33 years ago, Thomas Sankara, the revolutionary leader of Burkina Faso, was assassinated in a French-backed coup. He aspired to an egalitarian, feminist society, and an economy built on self-sufficiency, ecological regeneration, and independence from Western powers.


As debt crises mount across Africa, his ideas are more vital now than ever. I wrote about Sankara's legacy in these two pages from The Divide:


Today, Sankara's legacy is inspiring a new generation of revolutionary thinkers and activists across the continent and beyond. As Sankara himself put it, with uncanny prescience, “You can assassinate revolutionaries, but you cannot kill ideas”.

Sankara knew his assassination was coming. Speaking to African leaders at the OAU, he said "I would like this conference to clearly declare that we will not repay the debt; we must do it together, to avoid being assassinated individually..."

"...If Burkina Faso is the only one to refuse, I will not be here at the next conference."
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Anosognosiogenesis
Anosognosiogenesis
@pookleblinky
Consider that Late Registration came out in 2005.

A 15 year old would only know Kanye as a maga hat embarrassment.

The Selfish Gene came out in 1976. Anyone under 44 only knows dawkins in his bigot form.

The milkshake duck time horizon

Dawkins, for instance, has now been a bigot for much longer than he was a respected scientist.

Kanye has been an embarrassment for much longer than he was a talented rapper.

It's like how a 120-year old has spent half their life as an elderly person.

At some point, the milkshake duck has been one so long that no one remembers the milkshake anymore.

It's just the racist duck, or the terf duck, or the virulently islamophobic duck. Or all three, and for brevity simply called the asshole duck
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Egypedia
Egypedia
@Egypediax
Ancient Egyptians didn't have one name for their country... They only had one name for cities like Memphis or Thebes. Ancient civilizations in general lived only in cities.

Ancient Egyptians named different parts different names:

North land
Sedge land
Ta-mery
Deshert
Kemet


- North land: the North or lower Egypt.

- Sedge land: the South or Upper Egypt.

- Ta-mery: The land of the river bank (where they lived).

- Deshert: The desert or the red land.

- Kemet: The black soil land (Agricultural land).


The cities:

- Memphis or White Walls.

- Thebes or Waset.


Unroll
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@rattibha
HISTORY
Vagina Museum
Vagina Museum
@vagina_museum
On this day in 1878, Pamela Colman Smith was born. Although you may not have heard this artist's name, you will have almost definitely seen her work: among many other achievements, Smith illustrated the famous Waite-Smith tarot deck.


Smith's most famous illustrations in the tarot deck appear everywhere, and are synonymous with tarot. But there was much more to this artist, illustrator, writer and occultist than her tarot deck.

Early in her career, Smith illustrated works of WB Yeats, and travelled with the Lyceum theatre group. She also wrote and illustrated her own books, including books about Jamaican folklore.

While juggling all this, Smith also found the time to hold open houses for artists, and be active in the Suffrage Atelier, a collective of illustrators contributing work to further the cause of women's suffrage - this is an illustration she made for the cause.


In 1907, Smith became the first painter to exhibit at Alfred Stieglitz's Gallery 291, becoming the first painter to show at a gallery which had previously been devoted to photography. Her show was successful, and she showed twice more.
HISTORY

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DODDA GANAPATHI, BENGALURU
#karnatakatemples

Dodda in Kannada means big. Sri Ganesha here is 18 ft tall in height and 16 ft wide. Dodda Ganesha is also known as Shakthi Ganapathi and Satya Ganapathi.

It is said that Kempe Gowda, the founder of Bengaluru, saw a rock here.


The rock had engravings of Ganesha. His sculptors cut the Ganesha murti from that single rock. Later, a shrine was built around the Ganesh murti.

It is believed that Dodda Ganapathi is the protector of Bengaluru. All auspicious events start by praying to Him.


Benne Alankara is the most famous festival here when about 100 kg of butter is coated over Ganapathi every four years and the rich prasad is offered to the worshippers.

Ganesha is also covered in cream colour and is decorated with golden laces and buttons
@GampaSD


The Dodda Ganapathi murti is believed to be still growing in size, especially towards right.

The weavers from old Bengaluru tie a coconut to their looms before starting work. When the work is completed, they break 100 coconuts here along with the one tied on the loom.
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