Stop and watch this video.

Whatever you thought about the governors' stunt... it turns out it was

DeSantis sent a videographer because he was trying to make an audition tape for the presidency.

Well, we've gotten a pretty good look.

Let's make sure this never happens.
https://t.co/DLvbRbjQ85
Update: DeSantis escalated.

It's not going to stop.
https://t.co/JzPsGM4Ye8
When a politician performs cruelty.

They are showing you their nature.

Believe them.

Don't let supposedly sober voices tell you different.
Grab a pen.

Write your feelings about DeSantis on a post-it.

Stick it somewhere visible.

Democracy will thank you in 2024.
And they cheered.

As long as DeSantis sees a political upside, he'll deliver more sadistic spectacles.

Story: Jonathan Allen & @RichMcKay101
https://t.co/zaFrpI8V2V

More from All

How can we use language supervision to learn better visual representations for robotics?

Introducing Voltron: Language-Driven Representation Learning for Robotics!

Paper: https://t.co/gIsRPtSjKz
Models: https://t.co/NOB3cpATYG
Evaluation: https://t.co/aOzQu95J8z

🧵👇(1 / 12)


Videos of humans performing everyday tasks (Something-Something-v2, Ego4D) offer a rich and diverse resource for learning representations for robotic manipulation.

Yet, an underused part of these datasets are the rich, natural language annotations accompanying each video. (2/12)

The Voltron framework offers a simple way to use language supervision to shape representation learning, building off of prior work in representations for robotics like MVP (
https://t.co/Pb0mk9hb4i) and R3M (https://t.co/o2Fkc3fP0e).

The secret is *balance* (3/12)

Starting with a masked autoencoder over frames from these video clips, make a choice:

1) Condition on language and improve our ability to reconstruct the scene.

2) Generate language given the visual representation and improve our ability to describe what's happening. (4/12)

By trading off *conditioning* and *generation* we show that we can learn 1) better representations than prior methods, and 2) explicitly shape the balance of low and high-level features captured.

Why is the ability to shape this balance important? (5/12)

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