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Clio's Chronicles
@CliosChronicles 5 years ago 1426 views

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On 29 July, 1909, #VeerSavarkar went to Brighton, UK. He remained there for about 10-12 days. His associate Niranjan Pal would visit him and they used to roam on the shores of Brighton.

On one such occasion both of them were sitting on the seashore.

#Thread

Savarkar was immensely sad. Sitting in front of the vast ocean, his mind was grieving at the thought of his beloved motherland. Niranjan Pal described that occasion 29 years later in an article:

“Presently, he (Savarkar) commenced to hum a song. He sang as he composed.

It was a Marathi song, describing the
pitiable serfdom of India. Forgetful of all else, Savarkar went on singing. Presently, tears began to roll down his cheeks. His voice became choked. The song remained unfinished, Savarkar began to weep like a child.”

#VeerSavarkarJayanti

This song Sagaras (Ode to the Ocean) has become immortal in Marathi literature.

O Ocean, take me back to my motherland; My soul is tormented.

I had always seen you,
Washing the feet of my motherland.
You led me to a different country,
To experience the diversity of nature there.
Knowing that my mother’s heart was full of anguish,

You promised her that you would take me back;

I was reassured.
I believed that my experience of the world,
Would help me to serve her better.
Saying that I would return soon,
I took leave of her.

Oh, Ocean, I am now pining for my motherland

Like a doe caught in a snare,
The promise you made was deceptive!

I cannot suffer the separation anymore,
Darkness envelops me everywhere.
I had accumulated flowers of virtues,

In the hope that my mother will be rendered fragrant with their smell.

What use, this burden of knowledge and virtues

If my mother cannot prosper from it?

I miss the love of the mango tree, the flowers in my garden back home the blossoming creepers and the blooming rose… I feel desolate…

Oh Ocean, I am pining for her… Take me back to my motherland

Oh Ocean, I am pining for her…

Credit: Taken from Vikrant Pande’s articles @SwarajyaMag

Pic Credit: Unknown (DM for credit)

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Vaarahi is one of the Saivite Shakti deities with the group of goddesses known as SAPTAMATAS.
They are: Brahmi, Maheshwari, Kaumari, Vaishnavi, Vaarahi, Mahendri and Chamundi. 1/n

They are the Shakti (female) equivalents of their male counterparts. Vaarahi is the Shakti of Bhairavar who is one of the Amsam of Bhairavar.Created from the boar avatara of Vishnu, Vaarahi is often associated with Goddess Kamala (one of the Mahavidyas). 2/n

She is also called Dandini (Lady Commander of the forces of the Mother-Goddess, symbolizing the might of SriVidya). As Vaarahi ("hog-faced" or "the great consumer") she destroys evil forces that obstructs the devotees' progress, paralyses the enemies 3/n

and led the devotees ultimately to SriVidyas. She is also called Panchami). With Kurukalla, she is accorded the parental status to Sri-Chakra (Lalita Tripura-Sundari). While Kurukalla represents the full moon, Vaarahi represents the new-moon. 4/4

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It is said that the one who bears the dust thrown from the hoof of Gaumata on his head, as if taking a bath in the water of the teerth sthalam and getting rid of all sins.

Ved and all other Hindu scriptures venerate the cow. The Vedic dictionary, Nighantu, gives amongst other synonyms of 'Gau' [ or cow] the words 'Aghnya', 'Ahi', and 'Aditi'.

Yaska the vedic decoder and commentator on Nighantu, defines these as-

Aghnya —— the one that ought not to be killed
Ahi —— the one that must not be slaughtered.
Aditi —— the one that ought not to be cut into pieces.

These three names of cow signify that this is an animal which should not to be put to tortures. These words appear frequently throughout the Veda in context of the cow.

But in due course the falsehood of killing cows spread far and wide and they became even more deep rooted when western scholars with their half baked knowledge of Sanskrit transliterated these interpretations of commentaries of Sayanacharya ,

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